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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

If the Shoe Fits

Andrew R. Motyka · September 11, 2013

Y MOTHER USED TO TELL ME the old cliche, “If the shoe fits, wear it.” Her implied corollary was, “If the shoe doesn’t fit, don’t wear it.” FUN FACT: the implement pictured to the right is known as a “Brannock Device.” My wife and I tossed around what we thought it was called (“Shoe Sizometer” was the front runner), and learned that.

Traditionalists have gotten a bad shake for many years in the Church. They’re always getting lumped in with dissident and schismatic groups, even when they are no such thing. For this reason, along with being unable to celebrate what is now called the Extraordinary Form in many places, Trads (a term I use not derogatorily, but with affection) tend to be a bit defensive about any criticism against them. I’m asking you to let down those defenses for just a few minutes, and consider the following:

Traditionalists have a reputation problem. Some of the criticism against them is perfectly justified, some not, and some is just collateral damage because the critic is recalling previous bad experiences with trads. As a semi-Trad myself (note that, in my effort to escape a label, I’m just creating more labels), I have some suggestions for behavior, especially online, that bastion of rational discourse without any hyperbole or extremism. Ever.

NOTE: I am obviously not addressing all Trads here, hence the title of this post. I am guilty of some of these myself.

One of the biggest problems I’ve noticed with online Trads is that of tone. This is a pretty broad statement to make on a medium like the internet, which has all the subtlety of a chainsaw. What I particularly mean in the case of traditionalists is the tone of superiority. Many comments and posts I read are laced with disdain for the Great Unwashed that are part of the larger Church. Simply put, we don’t need that superiority. If the truth is really on our side, rhetorical bombs just aren’t necessary. Furthermore, that kind of tone acts more to drive people away than to win them over. I know that it’s easier to write another person off because they prefer guitars to polyphony, but condescension certainly doesn’t help the guitar lover, and it will also bleed over into anyone else who reads that discussion later. Remember this the next time you want to call Guitar Guy a heretic. Speaking of which…

Don’t assume the worst in others. I do this one all the time. If a liturgist or a politician is out of line with the norm, I’ll assume, even inwardly, that he truly desires the destruction of the Church. How much more likely is it that that person is taking a different approach, in a different spiritual state in life, or simply uncatechized? As I wrote in one of my first entries, many times a person, even an opinionated one, just doesn’t know. We do a lot more for the cause of tradition by speaking the truth firmly but gently and leaving the person with a good taste, so they remember The Kind (Even if Wrong) Trad instead of just That Jerk. A variation of this approach is…

The desire to see others kicked out of the Church. Some will defend this approach by saying that Benedict XVI predicted a smaller, more faithful Church. Please understand that this was not a desired scenario, but a facing of reality in the postmodern world. If Benedict wanted to rid the Church of the riff-raff, he could have. He didn’t, because that’s not what the Church is for. It’s for all of us, especially the ones who screw up on a consistent basis. I’m not saying that we should change the proclamation of the truth, just that seeking to purge the Church of dissidents is not going to happen, nor is it a Christian solution. Worse yet, I see Trads (only online, never in person, thank the Lord) hoping others end up in hell, either explicitly or implicitly. There is an accurate label for such people: sociopaths.

Overall, what the Trad community needs is a sane public face. No one wants to join a group of angry, bitter reactionaries (just ask most LCWR communities). They want to be a part of something that fulfills them and makes them happy. Also remember that Tradition is a means to an end: the salvation of the whole world through Jesus Christ. If your approach to forwarding the traditional practices of the Church and her liturgy gets in the way of that mission, then you’re doing something wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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