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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

If the Shoe Fits

Andrew R. Motyka · September 11, 2013

Y MOTHER USED TO TELL ME the old cliche, “If the shoe fits, wear it.” Her implied corollary was, “If the shoe doesn’t fit, don’t wear it.” FUN FACT: the implement pictured to the right is known as a “Brannock Device.” My wife and I tossed around what we thought it was called (“Shoe Sizometer” was the front runner), and learned that.

Traditionalists have gotten a bad shake for many years in the Church. They’re always getting lumped in with dissident and schismatic groups, even when they are no such thing. For this reason, along with being unable to celebrate what is now called the Extraordinary Form in many places, Trads (a term I use not derogatorily, but with affection) tend to be a bit defensive about any criticism against them. I’m asking you to let down those defenses for just a few minutes, and consider the following:

Traditionalists have a reputation problem. Some of the criticism against them is perfectly justified, some not, and some is just collateral damage because the critic is recalling previous bad experiences with trads. As a semi-Trad myself (note that, in my effort to escape a label, I’m just creating more labels), I have some suggestions for behavior, especially online, that bastion of rational discourse without any hyperbole or extremism. Ever.

NOTE: I am obviously not addressing all Trads here, hence the title of this post. I am guilty of some of these myself.

One of the biggest problems I’ve noticed with online Trads is that of tone. This is a pretty broad statement to make on a medium like the internet, which has all the subtlety of a chainsaw. What I particularly mean in the case of traditionalists is the tone of superiority. Many comments and posts I read are laced with disdain for the Great Unwashed that are part of the larger Church. Simply put, we don’t need that superiority. If the truth is really on our side, rhetorical bombs just aren’t necessary. Furthermore, that kind of tone acts more to drive people away than to win them over. I know that it’s easier to write another person off because they prefer guitars to polyphony, but condescension certainly doesn’t help the guitar lover, and it will also bleed over into anyone else who reads that discussion later. Remember this the next time you want to call Guitar Guy a heretic. Speaking of which…

Don’t assume the worst in others. I do this one all the time. If a liturgist or a politician is out of line with the norm, I’ll assume, even inwardly, that he truly desires the destruction of the Church. How much more likely is it that that person is taking a different approach, in a different spiritual state in life, or simply uncatechized? As I wrote in one of my first entries, many times a person, even an opinionated one, just doesn’t know. We do a lot more for the cause of tradition by speaking the truth firmly but gently and leaving the person with a good taste, so they remember The Kind (Even if Wrong) Trad instead of just That Jerk. A variation of this approach is…

The desire to see others kicked out of the Church. Some will defend this approach by saying that Benedict XVI predicted a smaller, more faithful Church. Please understand that this was not a desired scenario, but a facing of reality in the postmodern world. If Benedict wanted to rid the Church of the riff-raff, he could have. He didn’t, because that’s not what the Church is for. It’s for all of us, especially the ones who screw up on a consistent basis. I’m not saying that we should change the proclamation of the truth, just that seeking to purge the Church of dissidents is not going to happen, nor is it a Christian solution. Worse yet, I see Trads (only online, never in person, thank the Lord) hoping others end up in hell, either explicitly or implicitly. There is an accurate label for such people: sociopaths.

Overall, what the Trad community needs is a sane public face. No one wants to join a group of angry, bitter reactionaries (just ask most LCWR communities). They want to be a part of something that fulfills them and makes them happy. Also remember that Tradition is a means to an end: the salvation of the whole world through Jesus Christ. If your approach to forwarding the traditional practices of the Church and her liturgy gets in the way of that mission, then you’re doing something wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

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