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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Incarnation and Divinization

Dr. Peter Kwasniewski · October 31, 2013

ALTHOUGH I HAVE some disagreements with Fr. Michael Casey’s book, Fully Human, Fully Divine: An Interactive Christology (Liguori, 2004), there are also passages in it that are extremely profound and rhapsodic in their chanting of the divinely beautiful Gospel. I would like to share one of my favorite passages with the readers of Views from the Choir Loft. — Dr. Peter Kwasniewski

272 annunciation HE INCARNATION makes no sense without the corresponding doctrine of our divinization. God’s Son descended so that we might ascend, that we might share the divinity of him who humbled himself to share our humanity. In the Prologue of the Fourth Gospel (Jn 1:1–18), we see enunciated the three prime moments of Salvation History, as understood by the evangelist. “The Word was with God … the Word became flesh … and of his fullness we have all received.” Our participation in the life of God is an essential part of the whole project. Our vocation is to be receivers of the fullness of the Word made flesh. The extent of the resultant assimilation is indicated when the evangelist adds “grace for grace.” Here he employs the same preposition used in the Greek Bible to denote equivalence: “An eye for an eye and a tooth for a tooth.” Everything the Word was by nature, we become by grace.

Each of the believing and reasoning members of Christ can truly say of themselves that they are what he is—even God’s Son, even God. But he is so by nature, they by association (consortio). He is so fully; they by participation. Finally, what the Son is by virtue of being begotten, his members are not only by a legal decree or by the giving of a name but by adoption…

There is a paradox involve in this doctrine: it is only by becoming divine that we begin to be fully human. Conversely, if we are not divinized we become subhuman—beings whose innate potential has been left unrealized…

That the divinization of human beings is a neglected doctrine powerfully reveals the impoverishment of Christian faith that we have allowed to occur. It is easy enough to reduce the mystery of God’s plan to a few “metaphysical and ethical crumbs” (Schleiermacher). Such oversimplification does not succeed in making Christianity more accessible to the ordinary person, but simply renders it banal and boring. . . . Religion is about the transformation of sinful humanity. This miraculous process can be protected and even sustained by ethical constraints and rational discourse, but its essential origin is elsewhere…

There is always the danger that theological and moral rectitude (orthodoxy and orthopraxy) loom so large on our religious horizon that relationship with God recedes into the background. In this age, more than in any other, we need the divine boldness to affirm that Christianity is not a matter of being good but of becoming God. It is only by the wholehearted acceptance of the truth that God’s Son fully shared our humanity that we can be emboldened to find in him our way towards an intense and transforming relationship with the God who exists beyond human experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

Recent Posts

  • PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)
  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns

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