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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Sober Assessment of Liturgical Reform

Dr. Peter Kwasniewski · November 14, 2013

181 Rom Click to enlarge image HILE the USCCB Liturgy Committee rhapsodizes about the success of the liturgical reform, it is always gratifying to read a sober analysis that reflects the real experience of countless “people in the pews,” the ones who were hardest hit by the chaos that began to ensue in Catholic worship in the mid-sixties, culminating in the unprecedented change of the rite of Mass in 1970 and its long afterglow of abuse and banality. Here is how Kenneth Woodward, religion editor of Newsweek from 1964 to 2002, puts it with refreshing candor:

ND THEN THERE WAS the new rite of the Mass. At its inception it was better described, as one forgotten wit put it, as “the participation of the laity in the confusion of the clergy.” Compared to the old Latin liturgy, I found the new version about as moving as a freight train. Silence was now a liturgical vice, conscripted congregational responses the new regimen of worship. In a pale imitation of the early Christians’ kiss of peace, there was now a scripted pause. …

In place of my much-loved Latin hymns and chants, the new liturgists bade us sing old Reformation anthems like Martin Luther’s “A Mighty Fortress Is Our God.” I could not bring myself to join in when the chosen hymn was “Amazing Grace”—in fact, I still refuse to do so. It’s a lovely piece, all about getting one’s self individually saved, Evangelical-style, but theologically it has no place in the corporate worship of the Catholic Church.

What the liturgists didn’t borrow from Protestant hymnals, they conjured up by themselves. Mostly, it was folk music sung to plucked guitars with relentlessly upbeat lyrics about how much a nice God loves us and aren’t we fortunate to be his chosen people. There was no awe, no hint of the biblical fear of the Lord in this music, only the mild diuretic of self-congratulation. … The Church’s failure to pass on the faith, through the liturgy or through the classroom, would eventually snip two generations of young Catholics from their own religious roots.

From Kenneth L. Woodward, “Reflections on the Revolution in Rome,” First Things, February 2013, 25–31 (here, 30).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 10, 2021

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

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  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?

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