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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gratefulness

Andrew R. Motyka · November 13, 2013

T’S PROBABLY A BIT EARLY to write a post about Thanksgiving, but by the time Thanksgiving actually comes around, I’m already in full Advent mode.

The other day, I was putting some clean dishes away in the cabinets of our apartment, and one of the doors wouldn’t close all the way. I quickly became frustrated that I had to slightly move the bowls over so that the door had clearance to close. How can anyone be expected to live under those conditions. Anyway, I caught myself almost immediately, thinking about how easily I get annoyed at little things, or even slightly larger things that are trivial in the larger picture. For example, I actually have a place to live and possess plates upon which to put my food.

The next time you get frustrated at your parish, whether it’s because of the praise n’ worship music you hate, or the fact that the cantor actually uses a hand gesture (GASP) to indicate when everyone is to sing, or when Father wears his stole on the outside of his chasuble (I swear, next time I’m wearing my underwear on the outside of my pants), or worst of all, when Andy creates spectacularly long run-on sentences that make you have to go back to the beginning of the paragraph to figure out what he was even talking about, try to put it in some perspective.

I’m not saying we shouldn’t aim for the best we have to offer. I’m saying that we shouldn’t adopt scorched-earth rants just because we had to use that David Haas song that one time.

The other day, I was frustrated about something or other at work, and I had to remind myself just how good I have it. I have a wonderfully talented choir, and they are quite good sports about trying the challenging literature I have thrown at them (and excelled at it). I have a parish that appreciates good liturgy and music, and participate in the singing with no arm-twisting, and don’t complain about the choir singing now and then.

Most of all, what we music directors should all be grateful for is the opportunity to serve God through our musical contributions to the liturgy. I always say that, since my vocation is and always will be to be a husband and father, I would clean filth up if it meant putting food on the table. That I get to do what I love and get paid for it is a blessing indeed.

It’s okay to strive for perfection, and always seek something better. Just keep some perspective and be patient with improvement in your life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“It is difficult to imagine a more unjust situation than abortion, and it is very difficult to speak of obsession in a matter such as this, where we are dealing with a fundamental imperative of every good conscience—the defense of the right to life of an innocent and defenseless human being.”

— Pope St. John Paul II

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  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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