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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Failure, The Liturgy, & Today’s Mr. Know-It-All

Jeff Ostrowski · May 27, 2013

SUBMITTED AN ARTICLE to Homiletic & Pastoral Review, which is a wonderful publication, but it was rejected. Let me explain what happened.

I’ve been published in HPR in the past. About two years ago, I started considering submitting another article, and after a few months, I finally found the time to sit down and write it. Then, I had to wait for it to be proofread. Then, I finally found the time to place it in the mail (summer 2012). Their organization recently changed editors, and they lost my submission. I sent it again. Finally, on 20 November 2012, they said they enjoyed the article but decided not to print it. The priest who rejected it was very professional, polite, and encouraging.

So, here’s my dilemma: the process took so long, I don’t even like my article anymore! Here it is, in case you want to read it:

      * *  Moving Forward with Liturgical Reform: Positive Steps [pdf]

I’m beginning to wonder if I should continue to write articles. Has anyone had a similar experience? Feel free to share your thoughts in the combox.

REMEMBER: I’m not saying HPR should have printed my article. They probably get hundreds of wonderful submissions. I’m merely relating what happened.

I BEGAN TO PONDER ARTICLES. What is an article? Is it only to be published when it contains newly-discovered information? It seems to me that certain successful authors publish the same ideas over and over.

In a certain sense, we live in a very strange age. We are taught never to use the personal pronoun “I” when writing articles. We are told we must project the image of an omniscient, objective, modern “scholar,” and personal pronouns detract from this. How ironic, since ours is the same age that denies the existence of absolute Truth! In graduate school, we had to attend numerous conferences and symposia where papers were presented by musicologists who could barely play a C Major scale. We listened to presentations on the great choral works of history from theorists who could not even sing in tune. One time, a professor marked an error on my paper because I had pointed out an interesting fact about a certain composition. His red pen wrote, “Let your readers decide if that is interesting.” I’m sure he wanted me to congratulate him on how “objective” he was. By the way, I just committed a sin by writing, “His red pen wrote.” Another one of my professors would have asked me, “Did HE write, or did his PEN write?” Enough. You get the point.

If only our modern day “know-it-all” professors would take the time to look back into former decades, they would see that musicologists and theorists who actually knew their stuff did indeed use the personal pronoun “I” throughout their works. They were not at all embarrassed to say things like, “I have not found any mediaeval source containing such-and-such.” They were quite comfortable in their own knowledge as well as the fact that they were not infallible. We need more scholars like them!

The worst is when I see an article by somebody touted as “one of the leading experts on the Catholic liturgy.” I’ve pretty much “seen it all” in this regard. I’ve seen articles published about the liturgy by “scholars” who are comfortable preaching heresy. I’ve seen articles on the liturgy by Bishops who don’t even say Mass each day (according to people who work for them). I’ve seen articles on the liturgy published by “priest scholars” who don’t even say their office each day and allow every manner of terrible music at their Masses.

In fact, only those who have suffered can understand the liturgy. And only those who understand the liturgy ought to publish articles about it.

At the liturgy, we come face-to-face with God. Imagine! And we can pray to Him, telling Him all our troubles, worries, and woes.

In some ways, the Canon and the Propers are the most moving parts of Mass. You might ask, “Why the Propers? Why not the Readings.” The answer is the same reason which accounts for the popularity of Blogs. Blogs are popular because the entries are not too long, and we have short attention spans. The same with the Propers: they pick out the perfect little “nuggets” to carefully reflect on.

Where else can we go and enter into anything of such antiquity? Many of these prayers go back untold ages. All of a sudden, images confront one. Emperor Heraclius, Thomas Aquinas, Pope Hadrian, Saint Augustine, and a thousand others. Especially during the Roman Canon, when the names of so many ancient saints are recounted. Especially when the Canon is read with love and care, as in this audio excerpt by Most Rev. Bishop Gracida. Especially in the quiet solitude of one’s soul.

Some people think that the mere fact of owning a lot of old books with copious footnotes makes one a scholar. I promise you, it doesn’t. Only those who live the liturgy ought to write and speak about it. Books are books. People are people. God is God. Life is not the internet. Life is not fancy footnotes. Life is being in communion with God, and the liturgy allows us to do this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Taking into account the “barrenness of the times” and the fact that Father Francisco Guerrero is scarcely able to feed his choirboys, the chapter decides (by a close vote) to give him money to buy new robes, surplices, and caps for his six young charges.

— Resolution: 14 February 1562

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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