Views from the Choir Loft

How To Chant The Readings At Mass

Corpus Christi Watershed · May 27, 2013

THE FOLLOWING VIDEO takes you step-by-step through the process of chanting the Gospel in English. Deacons might find this video useful, since many are called upon to sing the Gospel.

The video requires you to download:

1. A Score Illustrating Different Tones [pdf]

2. Instructions on this tone in Latin & English [pdf]

HE FIRST READING at Mass is often sung to the “Prophecy Tone,” which was reserved for the Old Testament Lessons in the Extraordinary Form. Here is a PDF document that explains how to do it:

How to chant the 1st Reading in English & Latin

The Second Reading is often sung to the tone that was used for the Epistle in the Extraordinary Form. This PDF document explains how to do it:

How to chant the 2nd Reading in English & Latin

My favorite Gospel tone is called “more ancient” by the Solesmes books:

Singing the Gospel in English & Latin (ANCIENT TONE)

Here is what some people the “more recent” tone for the Gospel:

How to chant the Gospel in English & Latin (SIMPLE TONE)

By the way, all the parts of the Mass are sung according to the “Toni Communes” in the 1974 Graduale by Solesmes. Generally speaking, these are identical to what Abbot Pothier published as the Editio Vaticana around 1908.

N.B. For these, I have borrowed from the work of Professor W. A. Jurgens (Saint Mary Seminary, Cleveland).

How does a priest know how to correctly chant the readings (1st Reading, 2nd Reading, & Gospel) using the Prophecy tone, the Epistle tone, and different versions of the Gospel tones (according to the rules in the Liber Usualis) in ENGLISH ?

Examples (written out) of the different tones for chanting (PDF)

Mp3 Audio Recordings of the different tones:

01 Galatians Chapter 5
02 Gospel (John 15)
03 Wisdom Chapter 3
04 Thessalonains Chapter 4
05 Gospel (John 11)
06 Romans Chapter 8
07 Gospel (John 19)
08 Exodus Chapter 34
09 II Corinthians Chapter 13
10 Gospel (John 3)

Written out examples of chanting the readings at Mass, with free MP3 recordings

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski