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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Msgr. Andrew Wadsworth On Sacrosanctum Concilium

Corpus Christi Watershed · May 24, 2013

OR THOSE WHO HAVE BEEN following the Lalemant Interviews, this will be old news. Monsignor Andrew Wadsworth, Executive Director of ICEL, recently reminded us that we should stop replacing the Propers!

This is very much in line with Monsignor’s work regarding the “Roman Missal, 3rd Edition.” It will be remembered that the previous translation by ICEL was more of a “free reflection” than an accurate translation. In essence, we were substituting the theological notions of a small group of people (frequently tinged by ideology) in place of the actual prayers of the Church. In the same way, when we choose to replace 100% of the Propers 100% of the time, substituting other people’s thoughts and reflections, we are missing out on great riches which the Holy Church desires for us to receive!

You can read the entire speech by Msgr. Wadsworth on the Adoremus website:

      * *  Sacrosanctum Concilium: What we have done, what we have failed to do

Here is an excerpt:

I think we are currently well placed to respond to this desire and this is evidenced by the fact that many things which were indicated fifty years ago, such as the singing of the Mass — and more particularly the singing of the Proper texts rather than the endless substitution of songs and hymns, are only now being seriously considered and implemented. It is earnestly to be desired that such developments continue to flourish and that an improved liturgical culture is accessible to everyone in the Church. Time will tell whether the musical resources necessary to the success of such a development flourish in our midst. If they do not, then I fear that many of the less desirable features of post-conciliar liturgical music may be here to stay.

THOSE DESIRING A BOOK with the complete Mass Propers in English ought to investigate the Lalemant Propers. Beautifully-bound and painstakingly-typeset, this 391-page book contains very simple Psalm Tone settings of the complete Roman Gradual as well as forty-five fully pointed Psalms. The Propers are notated note-by-note, making it possible for those without any musical training to instantly sing them. The entire collection can be downloaded here:

      * *  The Lalemant Propers (free download) 391 Pages [url]

To access all the Lalemant Interviews conducted so far, click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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