• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

An FYI on EP in the OF – Introduction

Andrew R. Motyka · May 15, 2013

o you’ve been asked to plan Evening Prayer (aka “Vespers”) at your parish. This is a wonderful opportunity for common prayer in your community, and is strongly recommended by the Church:

Where possible, the principal Hours should be celebrated communally in church by other groups of the faithful. The most important of these groups are the local parishes – the cells of the diocese – established under a pastor acting for the bishop. These “represent in some degree the visible Church established throughout the world.” (General Instruction on the Liturgy of the Hours #21)

The only problem is that you have no idea how this is supposed to go. Sure, you’re picked up the latest edition of Magnificat, or maybe even have a book of Christian Prayer. However, you’re a music director, and you’ve never sung Vespers before. What do you do? Let’s take a walk through Evening Prayer in the Ordinary Form, and offer some good suggestions (that are by no means exhaustive) to use in St. Joe Schmoe’s Average Parish.

Note: If you’ve been asked to prepare sung Morning Prayer, you’re in luck. It is identical to Evening Prayer in every way except for the Gospel Canticle, which is the Canticle of Zechariah in the morning where it is the Canticle of Mary in the evening. Also, Morning Prayer takes place in the morning instead of the evening, in case you need everything laid out for you.

The order of liturgy (and yes, Evening Prayer is liturgy) follows:

Introduction
Hymn
1st Psalm
2nd Psalm
Canticle
Reading
(Homily)
Responsory
Gospel Canticle (Canticle of Mary, AKA the Magnificat)
Intercessions
Our Father
Prayer
Conclusion

The first thing you might notice is that there is neither an entrance nor a concluding procession. That is simply because, in the Liturgy of the Hours, there is not the same significance of a priest’s entrance as there is in the Holy Sacrifice of the Mass. A celebration of Evening Prayer does not require a priest or deacon at all. However, if a priest or deacon leads the prayer, there are slight differences in the liturgy, especially at the introduction and conclusion.

The second thing I would call your attention to is the fact that nearly all, if not all, of this liturgy is sung. The Liturgy of the Hours is sung prayer, especially because they are primarily marked by the proclamation of the Psalms, which are the Church’s song. Keep this in mind as you prepare for this liturgy. Historically, Evening Prayer has been the focus of much effort on the part of composers, more so than any other Hour of the day. This is primarily because it took place at the end of the day, when workers could easily attend the rite, and is evidenced by the overwhelming number of choral Magnificats, which greatly outnumber their counterpart canticles in the other Hours.

Next week, we will begin with suggestions on how to handle the first parts of Evening Prayer: the introduction, Hymn, and Psalms. This is where the real “meat” of Evening Prayer is, and there are lots of options for good celebration.

For Part 1 of the series, please click HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.