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Views from the Choir Loft

Free Download • “Liber Usualis” PDF Online (Solesmes, 1961)

Corpus Christi Watershed · March 19, 2013

Here’s the direct URL link.

ANY PEOPLE think they need the Liber Usualis, but might actually prefer the Graduale if they knew about it. The Liber Usualis is (of course) the “Vatican Edition” (Editio Vaticana), but with rhythmic signs added by Dom André Mocquereau in 1908 (and not one of these marks was ever changed in a subsequent edition, even 100 years later). If you don’t understand what the “Vatican Edition” is, please watch these videos or read this article. Anyway, here’s an online PDF copy of the 1961 Liber Usualis published by the monks of Solesmes:

* *  Liber Usualis (Solesmes, 1961) • free PDF
—Liber Usualis, with Introduction and Rubrics in English Hardcover • 2340 pages.

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Liber Usualis book scan courtesy of Jeffrey Tucker.

If you like the Liber Usualis, you should download the 1957 version that includes English Translations:

* *  1957 Solesmes Liber Usualis with English Translations

“LIBER USUALIS” DESCRIPTION:
The 1961 Edition of the “Liber Usualis” by the Benedictines of the Solesmes Monastery • The “Liber Usualis” contains the complete Latin settings of Gregorian Chant for every Mass of the year (Sundays, Solemnities, Commons and Feasts) as well as for Nuptial Masses, Requiem Masses, Holy Week, and Ordination. Additionally it provides much of the Gregorian Chant to be sung in Latin for the Divine Office (Vespers, Compline, etc.), as well as many other traditional Latin chants and hymns (Litanies, Benediction, and so forth). • Gregorian Chant for Every Mass of the Year • There’s no such thing as a “1962” Liber Usualis, because the 1962 Liber Usualis is identical to the 1961 version +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: 1962 Liber Usualis Solesmes, PDF download Liber Usualis Last Updated: May 18, 2026

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Corpus Christi Watershed

President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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