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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mourning Pope Benedict XVI and Trusting the Holy Spirit

Richard J. Clark · March 17, 2013

HILE POPE EMERITUS BENEDICT XVI is alive and well, it occurred to me rather suddenly that there might be something many of us are feeling, but may not know it. We are mourning his loss. It is very much like a dear friend or loved one who has moved far away. It is deeply sad. We have had no time to mourn or grieve; the Conclave was scheduled sooner than if a pope had died.

For sacred musicians, Pope Benedict XVI was (literally) a godsend, sent to us at the right time. There will likely not be another pontiff like him again, one with such passion for sung liturgy. He led by example and not by decree, yet he wrote and spoke knowledgably and prayerfully about liturgical music in a way that exuded natural authority. The evidence of his leadership is not only seen, it can be HEARD.

With the excitement of the Conclave over, many musicians are understandably expressing a great deal of anxiety regarding the unknowns about Pope Francis. Perhaps this anxiety says more about us that is does about the pope. But still, we are human and the apprehension is natural.

That being said, do we not trust the Holy Spirit? Did not the Holy Spirit guide Pope Benedict in his decision to resign? Did not millions of the faithful pray for the Holy Spirit to guide the cardinals, human and imperfect as they may be? Did not the cardinals themselves pray for guidance? Regardless, the Holy Spirit has been present throughout this historic time. God’s thoughts and ways are not our thoughts and ways. We must obediently accept the work of the Holy Spirit in our lives.

As for those of us who work “in the trenches” – in parishes – the support of the pope and wisdom of Sacrosanctum Concilium often do not impact us, quite sadly. But whether we work in a supportive environment not, it is the support of the faithful that matters. Even with a supportive pope or a supportive pastor, we can’t do much on the local level without the people’s consent. (Abraham Lincoln was keenly aware of the absolute necessity of obtaining pubic support to accomplish moral justice.) So, we still must catechize the faithful, sometimes more by example and less by words. While striving for the ideal, it is at times wise to give up something in order to gain important strides elsewhere, lest we are left with nothing. (This is also smart politics.) Truth is the daughter of time, and in time, a well-catechized congregation will be hungry for authentic sacred prayer. The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

A very wise friend (whose work most of your know and respect) mentioned that Benedict’s resignation was like the moment he realized his parents could no longer fight his battles. He had to fight his own battles. And so must we.

The fire of the Spirit has already been lit under so many. The mustard seed has been planted. (The train left the station a long time ago!) The creative output from so many wonderful composers is extraordinary. (E.g., Some of us of late have been receiving extraordinarily beautiful choral settings of the propers from Chris Mueller every week!) So MANY composers are so generous. Are they going to stop composing now? I think not. If Theodore Marier could accomplish his great work in the 1970’s, than so can we in a post-Benedict era. Theodore Marier was not initially happy with some of the liturgical changes in Vatican II. However, he rolled up his sleeves and got to work when everyone else was taking a completely different direction. Let us be mindful of his leadership by example that started in a local parish.

Like the apostles, we may feel afraid and locked away in the upper room (while the women witnessed the empty tomb.) Like the apostles, the Church is left with the Holy Spirit to guide it.

We must also accept that the Holy Spirit brought us Pope Francis for VERY good reasons that are not yet revealed to us. Pope Francis is here to be the servant of the Church. In a few short days, he has also done a number of simple things that have spoken volumes about humility and simplicity. In less than a week he has led by example. Perhaps this comes naturally to him. Remember that the very first thing he asked was that we pray for him and that we pray for Pope Benedict. We must continue to pray for Pope Francis. Viva il Papa!

John 15:16: You did not choose me, but I chose you and appointed you so that you might go and bear fruit—fruit that will last—and so that whatever you ask in my name the Father will give you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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