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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections from St. Peter’s Square

Richard J. Clark · March 15, 2013

ODAY I WOULD LIKE to share with you reflections from Fr. Jonathan Gaspar, Priest Secretary to His Eminence Seán Cardinal O’Malley. As Fr. Gaspar has been in Rome during this historic time, he first shared these thoughts through social media, (and rarely have I seen such an honest, holy, and inspiring post on FB!) With his permission I now share with you his heartfelt words written in St. Peter’s Square on the historic day of March 13, 2013:

“This has been an amazing day, to say the least. I am blessed to have been able to witness this historic papal election, and a number of things stand out for me.

“First, the number of young people flooding the streets of Rome, to catch a glimpse of their new Pope. I was in a chapel this afternoon, right outside the Vatican, to pray for the election. I was amazed at the number of people, mostly young people, who were in adoration before the Lord, praying for the process that would select the future successor of the Apostle St. Peter. Our young people are filled with faith, and they teach us all that the most important thing for us as Catholics is to grow in holiness – to let the Gospel of Jesus Christ SHAPE OUR LIVES, not the other way around.

“The second is this: the whole world watched a chimney for two days, and we didn’t think anything about it. The Pope isn’t just the Bishop of Rome. He’s a universal shepherd and has universal appeal. Why would people of all walks of life, of different religious persuasions and attitudes, pay such close attention for smoke signals? I think we simply need a voice of reason, a compass that points us to the truth, a Good Shepherd who leads us to happiness with God. Popes come and go, but Jesus Christ remains – and his Gospel is forever an invitation to allow ourselves to be transformed by grace, to turn from selfishness and to love God and our neighbor with all that we are.

“Lastly, the selection of a Cardinal from Buenos Aires, Argentina came as a surprise to all of us – and it probably came as a surprise to many of the Cardinals who eventually would vote for him. But isn’t this the great mystery of the Church? God knew who would be Pope, and He revealed him to the College of Cardinals. It was fascinating to be with His Eminence Seán Cardinal O’Malley these past few weeks, to witness his responses to the media who continued to speculate about a Seán O’Malley papacy. Cardinal Seán was not comfortable with all the attention – no surprise – but he also didn’t pay much attention to it. In the end, he knew deep down that the man chosen to be Pope would be the one that God chose – and this could only be done in prayer. Cardinal Seán and the other Cardinals have been praying intensely during these days of the Conclave, precisely so that they may hear what GOD had to say – not the (mainstream media), nor any other “source” of information. Choosing a Pope is a sacred responsibility, and only in prayer can the choice be clear.

“We prayed tonight in Rome for our Holy Father, Pope Francis. We will pray for him in the coming days, and we will ask God to bless him with health and strength so that he may undertake with courage the tremendous responsibility of strengthening our faith and building up the Body of Christ here on earth. Long live Pope Francis! — at Vatican and St. Peter’s Square.”

Fr. Jonathan Gaspar is also the Director of the Office of Divine Worship for the Archdiocese of Boston. Additionally, he is an organist, singer, and a great advocate of Gregorian Chant. In 2011, he formed the Office of Divine Worship Saint Cecilia Schola in which we collaborated on recording the ICEL Chants of the Roman Missal, Third Edition.

(Photo courtesy of PilotCatholicNews.com)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

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