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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Visual Catechism

Fr. David Friel · July 14, 2013

ROWING UP, my parents spoke with a great deal of nostalgia about the Baltimore Catechism. Around the dinner table, they would often quote to me some of the questions and answers they still remembered decades after first memorizing them. As a result, without ever holding a copy of the famed tome in my hands, I came to memorize a good number of the questions and answers myself.

As it happens, when I went to the seminary, I actually came across reprints of the Baltimore Catechism, so now I have laid hands on the volumes my parents so loved. Without a doubt, the Baltimore Catechism comes from a certain time. In saying that, I do not mean to imply that its volumes have become outdated or are no longer useful. Quite the contrary, in fact. Some of the best features of the series are the little graphics, which accompany and elucidate the subject matter. I have actually found several of those illustrations useful in teaching little lessons to students today.

At the same time, however, revolutions in mass media have created new opportunities for how one might catechize & evangelize. Fr. Richard Barron has taken heed, and his “Word on Fire Ministries” produced in late 2011 a landmark, DVD catechism entitled Catholicism. Many readers have probably seen at least some of that ten-part series. I have watched the whole thing and found it mesmerizing. I mention it here because it is the type of thing that would interest folks who are interested in the work of sacred music and the Corpus Christi Watershed.

One of the ways Catholicism is remarkable is that it has universal appeal. It could be understood by the neophyte and used as a tool for basic instruction, yet at the same time it is profound enough to deepen the faith of the cradle Catholic. In addition to the quality catechesis, it employs sacred music, art, & architecture in a masterful way. Throughout the series, Fr. Barron appears on nearly every continent and in many notable edifices of our faith; he uses some of the world’s great paintings and fine literature to explain church doctrine; much of the music used in the background is very sacred and apt for the topic being discussed. These things all conspire together to form an integral work that is attractive—even compelling—and fit for communicating the faith to believers & seekers living in modernity. After watching all ten episodes, it is clear to me that Fr. Barron is not only well educated in philosophy and theology, but also a man who can appreciate the arts in all their splendor. He very adeptly uses the arts to demonstrate the beauty of God and of His ways.

My parish purchased a copy of the Catholicism series and used them for adult faith formation sessions during Advent and Lent last year. Now the DVD’s are available in our parish library. If you have not yet seen this monumental work, I could not recommend doing so highly enough. It will inspire you to know, love, and serve God with renewed fervor!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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  • They did a terrible thing
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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.