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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Visual Catechism

Fr. David Friel · July 14, 2013

ROWING UP, my parents spoke with a great deal of nostalgia about the Baltimore Catechism. Around the dinner table, they would often quote to me some of the questions and answers they still remembered decades after first memorizing them. As a result, without ever holding a copy of the famed tome in my hands, I came to memorize a good number of the questions and answers myself.

As it happens, when I went to the seminary, I actually came across reprints of the Baltimore Catechism, so now I have laid hands on the volumes my parents so loved. Without a doubt, the Baltimore Catechism comes from a certain time. In saying that, I do not mean to imply that its volumes have become outdated or are no longer useful. Quite the contrary, in fact. Some of the best features of the series are the little graphics, which accompany and elucidate the subject matter. I have actually found several of those illustrations useful in teaching little lessons to students today.

At the same time, however, revolutions in mass media have created new opportunities for how one might catechize & evangelize. Fr. Richard Barron has taken heed, and his “Word on Fire Ministries” produced in late 2011 a landmark, DVD catechism entitled Catholicism. Many readers have probably seen at least some of that ten-part series. I have watched the whole thing and found it mesmerizing. I mention it here because it is the type of thing that would interest folks who are interested in the work of sacred music and the Corpus Christi Watershed.

One of the ways Catholicism is remarkable is that it has universal appeal. It could be understood by the neophyte and used as a tool for basic instruction, yet at the same time it is profound enough to deepen the faith of the cradle Catholic. In addition to the quality catechesis, it employs sacred music, art, & architecture in a masterful way. Throughout the series, Fr. Barron appears on nearly every continent and in many notable edifices of our faith; he uses some of the world’s great paintings and fine literature to explain church doctrine; much of the music used in the background is very sacred and apt for the topic being discussed. These things all conspire together to form an integral work that is attractive—even compelling—and fit for communicating the faith to believers & seekers living in modernity. After watching all ten episodes, it is clear to me that Fr. Barron is not only well educated in philosophy and theology, but also a man who can appreciate the arts in all their splendor. He very adeptly uses the arts to demonstrate the beauty of God and of His ways.

My parish purchased a copy of the Catholicism series and used them for adult faith formation sessions during Advent and Lent last year. Now the DVD’s are available in our parish library. If you have not yet seen this monumental work, I could not recommend doing so highly enough. It will inspire you to know, love, and serve God with renewed fervor!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.”

— Pope Saint Paul VI (14 Oct 1968)

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  • “Adeste Fideles” • Too Many Translations!

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.