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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Mass

Fr. David Friel · January 20, 2013

E’VE ALL SEEN THE CLASSIC magician’s trick of pulling a rabbit out of a hat. First, the magician shows everyone a top hat. He turns it upside-down to prove that it’s empty. Then, maybe he’ll wave a wand or shake the hat a bit, and he pulls out of it a living rabbit. It’s the most basic, most iconic magic trick of them all. The magician makes something appear out of nothing.

So it might seem like what Jesus did at the wedding feast at Cana was magic. At the request of His Mother, He takes six huge jars of water—about 150 gallons (!)—and, presto-chango, turns them into wine. But this wasn’t a magic trick. It was Jesus’ first miracle.

Something similar happens at every Mass. Whereas Jesus took water and changed it into wine, in every Mass, the priest takes wine and, by God’s power, changes it into the Precious Blood of Christ. That change is utterly complete. When Jesus turned the water into wine at Cana, He turned it into the best kind of wine. He didn’t make just some ratty batch of Shiraz. It was so good, the headwaiter says, “You have kept the best wine until now.”

In much the same way, at Mass, the wine that’s sitting there on the offertory table is brought to the altar and, by the power of the Holy Spirit, it is utterly transformed into the Precious Blood of Christ. There’s a special word for that transformation; it’s called “transubstantiation,” the complete changing of bread and wine into Christ’s Body & Blood at the words of consecration. The Mass is not magic. It is, however, miraculous. What transpires before us every Sunday—what I, as a priest, celebrate every single day—is a miracle of the first order.

Many folks have accused the Mass of being magical, although it is not. In fact, the magician’s phrase, Hocus pocus, came about as a parody of the words said by the priest at Mass. In Latin, the priest prays, Hoc est enim corpus meum, “This is my body.” That was shortened to Hocus pocus, and it came to be used by magicians when bringing about some sort of change.

In the rabbit-from-a-hat trick, the magician makes something appear out of nothing. Differently, at Cana, Jesus took water and changed it into wine. And at every Mass, the priest takes wine, mingled with water, and consecrates it to become the Precious Blood of Christ. As astonishing as this is, the Mass is not magical. It is marvelous, mysterious, and miraculous.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

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