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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Music Director: Job or Vocation?

Andrew R. Motyka · February 27, 2013

he college professor whom I respected most was the director of music at the cathedral in Albany, New York. He had been the director there for over forty years before he retired, fighting through multiple sclerosis for thirty years. One of his most common pieces of advice was “don’t go into music.” Naturally, as I neared graduation and expressed my desire to continue my studies, focusing in liturgical music, he had some great wisdom.

He reminded me that working for the Church can consume your whole life. With what was obviously a bit of regret, he warned me to never let your work interfere with your family life. Your whole weekends can be gone, you can spend extra hours or days at the office, church, or organ console, and before you know it, your children have grown up without a parent.

There is a balance that all of us who work for the Church need to find, especially those of us who have families at home. For myself, I constantly remind myself that music in the liturgy is my job. Yes, it is a job that I love, and its connection to my faith naturally gives it a deeper meaning in my life than another job might. However, it is not my vocation. My vocation is to be a husband and father, and if my job interferes with that, then something is amiss.

The best way to do this is to be jealous with your days off. I’ve found myself, on more than one occasion, thinking that I’ll put in an extra day at the office, and I’ll shift my day off to later in the week. This never happens. Without fail, there will be a funeral or some other emergency that comes up and you will lose your time with your family altogether. Take days off when they come, and spend them with family. Make time to pick the children up from school, even if it means going back to work in the evening or bringing work home with you. Remember that you work for your family; your family doesn’t revolve around your work.

I always tell people that I am blessed to be able to do what I truly love for a living, to have a relationship with God and offer praise to Him through music. At the end of the day, though, there needs to be a separation between job and vocation. If I had to do the most vile jobs to provide for my family, I would do it. Thank God if you can do what you love and make money doing it, but do not let it consume your true vocation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

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