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Views from the Choir Loft

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

Aristotle A. Esguerra · February 18, 2013

On January 21 of this year Bishop Alexander Sample of Marquette issued “Rejoice in the Lord Always,” a pastoral letter on Sacred Music in Divine Worship. (H/T to Adam Bartlett of the Chant Café.) You may download it directly from the Diocese of Marquette’s website here.

What struck me the most about this letter is that it calls for the following:

  • Pastors and musicians to possess knowledge of the musical directives as found in Church documents (listed in the appendix) and to base preparations for liturgies on them;
  • An understanding that one prepares for the liturgy instead of plans it (subtle but important distinction);
  • At least one Sunday Mass per parish be a Sung Mass (missa cantata) according to the capabilities of the priest and faithful;
  • An awareness of the nonliturgical nature of the “Recessional Hymn”, calling for an instrumental piece or silence (in Lent);
  • Moving toward the singing of the Proper of the Mass (Entrance/Offertory/Communion chants), while laying down tighter guidelines for hymn substitution of these Propers (which takes place on a widespread basis);
  • Weekday Masses to incorporate some liturgical singing;
  • All capable priests of the diocese to learn to pray the Roman Canon in chant according to the tones in the Missal;
  • All parishes to learn two chant Mass settings (VIII and XVIII);
  • All parishes to conduct Triduum liturgies a cappella from the Gloria of Holy Thursday until the Gloria of the Easter Vigil.

He is set to leave the Marquette Diocese in a couple of months, so I’m unsure how well, how quickly, or if the directives in this Pastoral Letter will be implemented. (I have read some positive reports from last June’s Diocesan Sacred Music Conference, and I understand that he has recently hired a music director to carry out some of the above at the cathedral there.) However, as he will be installed as archbishop of Portland, Oregon on April 2 his presence may very well begin to be felt (albeit indirectly) not only in the churches of the Diocese of Marquette but also in all churches that use materials published by Oregon Catholic Press. (He is also the incoming chairman of OCP by reason of his archbishopric.)

In any case, it’s extremely refreshing to see the chief liturgist of a diocese teach and issue directives about the sacred liturgy that are in continuity with Church teaching. May their number increase.

And readers aware of the Proper of the Mass know that the beginning of the Entrance Antiphon for the Third Sunday of Advent is used for the title of this pastoral letter. Could we finally be seeing the advent of sung liturgy in the Roman Rite as envisioned by the Council Fathers at a diocese-wide level?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Archbishop Alexander K Sample Last Updated: January 1, 2020

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About Aristotle A. Esguerra

Aristotle A. Esguerra has served in the Diocese of Madison since 2009 as music director at the churches of St. Mary, Pine Bluff and St. Ignatius, Mount Horeb, and as the chant instructor to the Cistercian Nuns of Valley of Our Lady Monastery, Prairie du Sac.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

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