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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Tips for Parents in Guiding Artistic Teenagers

Gwyneth Holston · December 30, 2013

GWYN_Vermeer “The Art of Painting” by Vermeer.
T IS DIFFICULT for parents to know what to do for their artistic son or daughter. Should he or she even be encouraged? It is next to impossible to make a living as an artist, art supplies and classes are expensive, and moral debauchery pervades contemporary art. I believe that being an artist is a rare vocation, but it is a vocation nonetheless and should be encouraged despite its many difficulties. If your teen is about to graduate from high school and is serious about becoming an artist, it is his responsibility to provide the passion and drive in pursuing such a path. It is your responsibility to guide him.

Here are a few suggestions:

1. Buy the best quality art supplies you can afford. It makes a difference whether colored pencils are Crayola (student grade) versus Prismacolor (professional grade). It is better to have a few really excellent art tools than a wide array of cheap materials. Creating art is hard enough without having to battle art supplies.

2. Surround your child with examples of good-quality art. Visit art museums and check out books from the library. Have a framed piece of original art in your home. Travel abroad if possible. This will train his aesthetic sensibilities even before he learns anything formal about art history.

3. Formal instruction is important and worth the expense. The self-taught artist will make some progress at first and then experience long plateaus. Sometimes just a few words from an experienced teacher will save months or years of time. It will also help your child to gain the humility and maturity necessary to grow after hearing a harsh critique.

4. Find the best art instruction available in your area. Larger cities often have an Art Students League or art colleges that provide Saturday classes for children and teens (including need-based scholarships). Recreation centers are good for introducing a child to a new medium (pottery, for example) but are useless for providing higher-level training.

5. Encourage your child to enter art contests. During my teens, I won certificates, apparel, sports memorabilia, a bike, and the opportunity to attend a reception for foreign dignitaries. I also lost a lot of competitions. Since I never knew which contest I would win, I entered them all. It got me in the habit of pursuing every opportunity and not taking it personally when I lost.

6. After high school, don’t send your child to an art college. I don’t know of any degree-granting Catholic art schools that provide high-quality training. Secular art colleges are dens of iniquity that sell very expensive, very useless degrees.

7. Encourage your child to get intellectual training first, then technical training. Artists are an integral part of culture. Artists need to have a solid formation in the language of Catholic culture before they can be capable of forming a visual sentence in that language. I would encourage future artists to get a degree in the classics, history, literature, or theology.

8. Your child will need to have a practical skill as well. Art does not pay the bills. Even if he does become a successful artist, it will not be for at least a decade or two. He should consider learning a trade or getting a certificate in a high-demand field. Future free-lance artists will benefit greatly from taking classes in small business management and understanding taxes, accounting, etc.

9. Professional training in the arts is best found in an atelier setting. An atelier is a professional artist who takes on a small group of students and trains them in the academic method. You can find a list of ateliers on the Art Renewal Center website www.artrenewal.org.

10. The only way to learn to draw the figure is to draw the figure. Nothing can replace the knowledge of form gained by life drawing, but it should only be undertaken by serious students in a professional setting. Figure drawing is not the lascivious event imagined by non-artists. It is an extremely challenging exercise that is far closer to the cold analysis of a medical professional. Students over the age of eighteen should have a talk with their parents and confessors before deciding to take a Life Drawing class.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

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