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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Singing as a Work of Mercy

Fr. David Friel · December 29, 2013

ARLIER THIS MONTH, I posted a blog entry encouraging the growth of chant scholas in prisons. Through working for a year in a county prison, I discovered that incarcerated men & women are very often starved for beauty. I see the potential of forming a schola among inmates not just as a nice thought, but as a practical idea (and work of mercy) worthy of our consideration.

A family friend of mine is doing something similar, but different, in my hometown. Along with a couple of friends from the parish choir, she has organized the “Doylestown Comfort Choir,” which goes to sing at the bedside of the sick & elderly, especially hospice patients. Their purpose is to use the gift of music to bring about the fruit of peace in those who are struggling with ill health or facing death.

Started almost 4 years ago, the Doylestown Comfort Choir now boasts nearly 30 members. Practices are held once a month, and the members branch off into sub-choirs of 6 voices each when they get a call to go perform a “sing” for someone. They service four different nursing homes and a hospital.

Most of the music they sing is SAB, including both spiritual music and popular music from the era of the patients’ childhood. The choir includes professional, semi-professional, and volunteer singers, all of whom leapt at the chance to serve when they were invited to be part of the Comfort Choir. The group was even featured in a local newspaper article a couple of years ago.

We are so used to thinking about the work of sacred music in the context of the church building. There is something refreshing about ideas like this, which transform sacred music from a job into an apostolate and bring the humanizing effect of beauty to those who need it most.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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