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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Once Upon a Mattress

Andrew R. Motyka · December 25, 2013

This post is guest-written by Andrew’s wife Julie, while Andy alters his sleep schedule in anticipation of Midnight Mass.

NDY’S AND MY FIRST CHRISTMAS AS A MARRIED COUPLE WAS IN 2006. The above is our Christmas photo from that year. If any of you music directors or choir members recall 2006, it was a year of the dreaded “Monday Christmas,” not to be seen again until 2017. The parish where Andy was working at that time had four regular Masses every weekend, and five Christmas Masses. Normally, the “folk group” covered the music at one of the Sunday Masses, but decided to give themselves the weekend off that year, resulting in Andy playing for nine Masses in about 40 hours (though there were two priests to take turns).

Because we lived about 45 minutes away from the church, we were invited to spend Christmas Eve at the rectory, a Victorian-style house with the parish offices on the main level and the priests’ quarters on the second floor. We were relegated to the very drafty third floor, where there was a guest bed that probably had not been slept in by anyone since 1967. It was permanently dented in the middle, and Andy and I spent all night sliding into the middle of that bed and trying to roll back out to the more-supportive edges.

Andy (and probably you, too) was worried that I might not have a point to make when I told him I wanted to write about that crappy guest bed for his Christmas blog post. I don’t work in the music field, but I’ve been Andy’s main cheerleader for years, so I have at least a few insights. Being a church music director or a dedicated music volunteer is hard work. Things are not always going to go the way you want or expect, and, if you are anything like Andy, there are going to be times when you feel like like just when you made it to the supportive edge of the bed, something happens, and you sink back down into the dent the middle.

On Christmas Day, when you’re tired after umpteen Masses, or any time when things get discouraging, just remember: you’re not spending your whole life sinking into the hole, even if it feels that way sometimes. Every time you fight your way back out and provide good music at Liturgy, or make a positive change in your parish, or write an informative article, or mentor a budding musician, you are doing something positive for the future of the Church. The fruits of your work may not be immediately apparent, but those of us who are along for the ride appreciate what you do.

So on this non-dreaded Wednesday Christmas, after your last Mass, eat some Christmas goodies and take a nap in a bed that was hopefully manufactured in the twenty-first century. Please don’t worry about whether your cellist was out-of-tune and why no one sang along with “Angels we Have Heard on High.” You did good work today, and the Church appreciates it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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