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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Once Upon a Mattress

Andrew R. Motyka · December 25, 2013

This post is guest-written by Andrew’s wife Julie, while Andy alters his sleep schedule in anticipation of Midnight Mass.

NDY’S AND MY FIRST CHRISTMAS AS A MARRIED COUPLE WAS IN 2006. The above is our Christmas photo from that year. If any of you music directors or choir members recall 2006, it was a year of the dreaded “Monday Christmas,” not to be seen again until 2017. The parish where Andy was working at that time had four regular Masses every weekend, and five Christmas Masses. Normally, the “folk group” covered the music at one of the Sunday Masses, but decided to give themselves the weekend off that year, resulting in Andy playing for nine Masses in about 40 hours (though there were two priests to take turns).

Because we lived about 45 minutes away from the church, we were invited to spend Christmas Eve at the rectory, a Victorian-style house with the parish offices on the main level and the priests’ quarters on the second floor. We were relegated to the very drafty third floor, where there was a guest bed that probably had not been slept in by anyone since 1967. It was permanently dented in the middle, and Andy and I spent all night sliding into the middle of that bed and trying to roll back out to the more-supportive edges.

Andy (and probably you, too) was worried that I might not have a point to make when I told him I wanted to write about that crappy guest bed for his Christmas blog post. I don’t work in the music field, but I’ve been Andy’s main cheerleader for years, so I have at least a few insights. Being a church music director or a dedicated music volunteer is hard work. Things are not always going to go the way you want or expect, and, if you are anything like Andy, there are going to be times when you feel like like just when you made it to the supportive edge of the bed, something happens, and you sink back down into the dent the middle.

On Christmas Day, when you’re tired after umpteen Masses, or any time when things get discouraging, just remember: you’re not spending your whole life sinking into the hole, even if it feels that way sometimes. Every time you fight your way back out and provide good music at Liturgy, or make a positive change in your parish, or write an informative article, or mentor a budding musician, you are doing something positive for the future of the Church. The fruits of your work may not be immediately apparent, but those of us who are along for the ride appreciate what you do.

So on this non-dreaded Wednesday Christmas, after your last Mass, eat some Christmas goodies and take a nap in a bed that was hopefully manufactured in the twenty-first century. Please don’t worry about whether your cellist was out-of-tune and why no one sang along with “Angels we Have Heard on High.” You did good work today, and the Church appreciates it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

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