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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Once Upon a Mattress

Andrew R. Motyka · December 25, 2013

This post is guest-written by Andrew’s wife Julie, while Andy alters his sleep schedule in anticipation of Midnight Mass.

NDY’S AND MY FIRST CHRISTMAS AS A MARRIED COUPLE WAS IN 2006. The above is our Christmas photo from that year. If any of you music directors or choir members recall 2006, it was a year of the dreaded “Monday Christmas,” not to be seen again until 2017. The parish where Andy was working at that time had four regular Masses every weekend, and five Christmas Masses. Normally, the “folk group” covered the music at one of the Sunday Masses, but decided to give themselves the weekend off that year, resulting in Andy playing for nine Masses in about 40 hours (though there were two priests to take turns).

Because we lived about 45 minutes away from the church, we were invited to spend Christmas Eve at the rectory, a Victorian-style house with the parish offices on the main level and the priests’ quarters on the second floor. We were relegated to the very drafty third floor, where there was a guest bed that probably had not been slept in by anyone since 1967. It was permanently dented in the middle, and Andy and I spent all night sliding into the middle of that bed and trying to roll back out to the more-supportive edges.

Andy (and probably you, too) was worried that I might not have a point to make when I told him I wanted to write about that crappy guest bed for his Christmas blog post. I don’t work in the music field, but I’ve been Andy’s main cheerleader for years, so I have at least a few insights. Being a church music director or a dedicated music volunteer is hard work. Things are not always going to go the way you want or expect, and, if you are anything like Andy, there are going to be times when you feel like like just when you made it to the supportive edge of the bed, something happens, and you sink back down into the dent the middle.

On Christmas Day, when you’re tired after umpteen Masses, or any time when things get discouraging, just remember: you’re not spending your whole life sinking into the hole, even if it feels that way sometimes. Every time you fight your way back out and provide good music at Liturgy, or make a positive change in your parish, or write an informative article, or mentor a budding musician, you are doing something positive for the future of the Church. The fruits of your work may not be immediately apparent, but those of us who are along for the ride appreciate what you do.

So on this non-dreaded Wednesday Christmas, after your last Mass, eat some Christmas goodies and take a nap in a bed that was hopefully manufactured in the twenty-first century. Please don’t worry about whether your cellist was out-of-tune and why no one sang along with “Angels we Have Heard on High.” You did good work today, and the Church appreciates it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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