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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Once Upon a Mattress

Andrew R. Motyka · December 25, 2013

This post is guest-written by Andrew’s wife Julie, while Andy alters his sleep schedule in anticipation of Midnight Mass.

NDY’S AND MY FIRST CHRISTMAS AS A MARRIED COUPLE WAS IN 2006. The above is our Christmas photo from that year. If any of you music directors or choir members recall 2006, it was a year of the dreaded “Monday Christmas,” not to be seen again until 2017. The parish where Andy was working at that time had four regular Masses every weekend, and five Christmas Masses. Normally, the “folk group” covered the music at one of the Sunday Masses, but decided to give themselves the weekend off that year, resulting in Andy playing for nine Masses in about 40 hours (though there were two priests to take turns).

Because we lived about 45 minutes away from the church, we were invited to spend Christmas Eve at the rectory, a Victorian-style house with the parish offices on the main level and the priests’ quarters on the second floor. We were relegated to the very drafty third floor, where there was a guest bed that probably had not been slept in by anyone since 1967. It was permanently dented in the middle, and Andy and I spent all night sliding into the middle of that bed and trying to roll back out to the more-supportive edges.

Andy (and probably you, too) was worried that I might not have a point to make when I told him I wanted to write about that crappy guest bed for his Christmas blog post. I don’t work in the music field, but I’ve been Andy’s main cheerleader for years, so I have at least a few insights. Being a church music director or a dedicated music volunteer is hard work. Things are not always going to go the way you want or expect, and, if you are anything like Andy, there are going to be times when you feel like like just when you made it to the supportive edge of the bed, something happens, and you sink back down into the dent the middle.

On Christmas Day, when you’re tired after umpteen Masses, or any time when things get discouraging, just remember: you’re not spending your whole life sinking into the hole, even if it feels that way sometimes. Every time you fight your way back out and provide good music at Liturgy, or make a positive change in your parish, or write an informative article, or mentor a budding musician, you are doing something positive for the future of the Church. The fruits of your work may not be immediately apparent, but those of us who are along for the ride appreciate what you do.

So on this non-dreaded Wednesday Christmas, after your last Mass, eat some Christmas goodies and take a nap in a bed that was hopefully manufactured in the twenty-first century. Please don’t worry about whether your cellist was out-of-tune and why no one sang along with “Angels we Have Heard on High.” You did good work today, and the Church appreciates it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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