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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

General and Particular Examen

Dr. Peter Kwasniewski · December 12, 2013

NE OF MY FAVORITE spiritual books is Dom Jean-Baptiste Chautard’s The Soul of the Apostolate.

In company with countless writers, Chautard strongly recommends the “particular and general examinations of conscience,” but seems to assume that the reader simply knows what this is all about. One doubts that many laypeople, especially after the Second Vatican Council, would have a clue about how to carry out this double examination. And one hesitates to google about it, for fear of finding random and superficial material.

When I first came across this passage, I consulted a venerable priest whose opinion has never failed me, and he explained it as follows.

The distinction between general and particular examinations of conscience is made by Saint Ignatius in the first week of his Spiritual Exercises. Put simply, the general examination surveys all the morally significant actions of the day, so far as we can recall them, while in the particular examination we focus our attention on one particular fault against which we are struggling and the corresponding virtue we are trying to cultivate (because the positive cultivation of a virtue is the most effective way of fighting against the vice that is opposed to it). Saint Ignatius tells us that we should make the particular examination three times a day—morning, after lunch, and after dinner; the general examination, in contrast, is best done just before we go to bed.

This is a simple and lucid template for self-awareness and continual conversion of life. We are all in danger of forgetting or even being totally ignorant of the areas of our lives in which we stand in need of conversion; we are all, in the best of circumstances, notoriously lacking in self-knowledge; we can all use more humility and even humiliation to get the point across that we are far from perfect and yet capable of improvement, with God’s help. The particular and general examinations provide a kind of spiritual scaffolding around the day that can help us pay attention to our defects and make progress in correcting them. There does not need to be anything fussy or time-consuming about it: a few concentrated moments of reflection may suffice. But what an opportunity we are missing when we do not pay any attention to how the day has gone and what we might have done differently or better!

Is it fanciful to see, in Pope Francis’s numerous recent course corrections, the outward signs of a Jesuit who, in the best tradition of his founder, is serenely accustomed to making these examinations and has discovered in himself certain faults or at least areas of improvement? We will never have a sinless or a perfect pope, but we can have a holy one who sets us a good example of continual conversion.

Further recommended reading:
Fr. John Hardon, S.J., “Examination of Conscience”

URL for course corrections:
Even the Pope Critiques Himself. And Corrects Three Errors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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