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Views from the Choir Loft

Say the Black. Do the Red—with Love.

Richard J. Clark · April 5, 2013

HERE IS FREQUENT TENSION and struggle with liturgy: excessive liturgical creativity can lead us to forget that God’s sacred initiative is taking place during the Holy Sacrifice of the Mass. Mass is not something that we do or that we make or that we create. Certainly the Mass takes work on our part (“leitourgia”, from the Greek meaning “the people’s duty/service”), but this should not lead us to the illusion that we are driving the agenda or that we are in charge. For God’s grace works in a very different direction.

As such, many of us have experienced liturgies that are far less than ideal, perhaps where the sanctuary becomes a stage and the congregation becomes an audience. Priests and musicians are guilty of this, often with words, actions, and music that point to ourselves rather than to God. We can easily get caught up in celebrating what we have done, and not what God has done for us.

So when things go badly, it is a good opportunity for catechesis—a teaching moment that can take root when delivered with kindness. With this comes teaching not only what is ideal, but why it is ideal. Read the Black. Do the Red, but with a heart of compassion and as a teacher. This is the work of a lifetime.

In doing so we must truly be mindful that the road to the ideal must travel through the hearts and minds of real flesh and blood. After all, it is human hearts we hope to reach. Therefore, if in our ministry we are not teaching love, then we have failed.

Yet, teaching love does not preclude implementing reform, fraternal correction, or discipline. Any parent or teacher knows that love demands this. A good leader knows this, teaching and leading by example. Implementing reform with love demands a tricky balance of offering leeway with strict “tough love.”

Reform must travel through human hearts and minds in such measure that it does not instill discouragement which often leads to abandonment and rejection of sacred values and principles. Love demands keeping those in our charge on the right course as best we can, for we too are only human. We may not always succeed, and we cannot control how others respond to our best efforts. However, a thoughtful and kind approach usually wins out over time. For navigating the rough uncharted waters of human nature is perhaps the biggest challenge we face as catechists.

We are reminded of Matthew 22:36-40: “Teacher, which is the greatest commandment in the Law? Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”

Finally, in Blessed John Paul II’s 1998 Ad Limina Address to the Bishops of the United States, On Active Participation in the Liturgy he describes our very real human experience in the context of Divine Worship.:

“The universal Church is united in the one great act of praise; but it is always the worship of a particular community in a particular culture. It is the eternal worship of Heaven, but it is also steeped in time. It gathers and builds a human community, but it is also the worship of the Divine Majesty (Sacrosanctum Concilium, 33). It is subjective in that it depends radically upon what the worshippers bring to it; but it is objective in that it transcends them as the priestly act of Christ himself, to which he associates us but which ultimately does not depend upon us (ibid., 7).”

Here, he explains what is ideal:

“..it is so important that liturgical law be respected. The priest, who is the servant of the liturgy, not its inventor or producer, has a particular responsibility in this regard, lest he empty liturgy of its true meaning or obscure its sacred character.”

Here the Holy Father explains why this is ideal:

“The core of the mystery of Christian worship is the sacrifice of Christ offered to the Father and the work of the Risen Christ who sanctifies his People through the liturgical signs.”

Let us be mindful that it is God who does great things for us. It is Christ who sanctifies us in liturgical signs. It is God whom we bless, praise, adore, and glorify. It is God to whom we give thanks for his great glory!

We do all this because we love God and because we love each other, just as He commands.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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