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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Acts of the Apostles

Fr. David Friel · April 17, 2013

OUND UP WITH THE CELEBRATION OF EASTER is the reading of the Acts of the Apostles. It’s fascinating to me to read, year after year, about the initial fervor and drama of the Christian way. Among the most evocative episodes in the book is the scene wherein Stephen debates people from Cyrene, Alexandria, Cilicia, & Asia—folks from all corners of the world. Stephen’s words were so persuasive that the people “could not withstand the wisdom and the Spirit with which he spoke” (Acts 6:10).

How do we reconcile that scene with our personal experience? Surely, we all know people who have heard the Gospel message but who have not been overwhelmed by it. Think of the Millennials who were raised by good, faithful parents but who have grown apathetic toward faith. Think of all the students who graduate from 8 or 12 or 16 years of Catholic education only to drift away from the Church. Think of the many catechumens & candidates who come through RCIA but fade back into oblivion after Pentecost. The faith was taught to them, but it wasn’t well received. How do we deal with this reality when we compare it to Stephen’s experience?

We ought not to feel inadequate if our children or friends or classmates have not swooned over our evangelatory efforts. It is a teaching of the Church that we receive grace only insofar as we are disposed to receive it. This helps to explain why it’s not possible to force faith upon anyone. Faith must be accepted. The closed doors of the hardened heart must be broken open if faith is to find a home. No mere man has the power to throw open the doors of another person’s heart, no matter how charming his rhetoric.

There are, however, tools one can employ to aid the process of conversion. The most compelling things in the world are Truth, Goodness, and Beauty, which philosophy dubs the “Transcendentals.” These three ideals transcend the things of earth and represent the universal aspirations of humanity. Every human heart longs for that which is true & good & beautiful. Nothing we experience in life is more compelling than truth that is taught clearly, goodness that is demonstrated sincerely, and beauty that is revealed intimately. These things can make stiff hearts supple, better disposed to receive the wisdom and Spirit of Christ.

There is something appealing about truths that are systematically laid out for us. There is something heartwarming about goodness that is freely given. There is something vital about beauty that is recognizable in art & music & architecture & liturgy & life.

While we cannot force faith upon others, we can strive to teach the truth clearly, demonstrate sincere goodness, and live life beautifully. By doing these things well, the witness of our very lives can become a convincing sign of the Kingdom.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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