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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Importance Of Gestures

Jeff Ostrowski · November 2, 2012

ERY SOON, Watershed will be releasing a special pew book for the traditional Latin Mass (Extraordinary Form). We’re so excited: the book is extremely complicated and jam packed with amazing stuff, and I’m certainly not able to go into the details in a short little blog entry like this. However, one of the most singular things (to quote Sherlock Holmes) about the St. Edmund Campion Missal & Hymnal is that it pays special attention to the elaborate gestures in the traditional Latin Mass. I’m speaking here of the numerous instances where the priest bows, genuflects, kisses objects, makes the Sign of the Cross, holds his hands a certain way, etc. These gestures are fantastically ancient and truly beautiful: I’m glad our book goes to great lengths to show them.

It just so happens that these physical gestures of reverence and adoration play a huge part in Catholic worship . . . because it just so happens man is made of both body and soul. If man were soul only, physical gestures would, indeed, be unimportant. These gestures really do become wedded to the prayers in a way I never realized until I stopped attending the traditional Mass. I will speak more of this as time goes on.

As we know, the Reforms following Second Vatican Council got rid of almost all these gestures (the Council itself did not), and I have to wonder if this was a mistake. I sometimes wonder if the feeling of the time was akin to: “Modern Man does not need medieval feudal gestures like kissing and bowing and genuflecting. These are not essential to the prayer of Modern Man, who has progressed to such a level he can pray just as well without such gestures.” As time goes on, perhaps “mutual enrichment” will return some of the ancient gestures. Pope Benedict, a Peritus (special expert advisor) at the time of the Council, has called for a re√´valuation of how well the Reforms called for by the Council were realized by Pope Paul VI’s Consilium.

Now I see that I have typed too much (which usually happens) so I will have to continue my thoughts in another Blog entry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

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  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
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  • Important Quote by a Church Musician

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