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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Missal 3.0 — Installment no. 1

Fr. David Friel · February 3, 2012

A bit over two months have passed since the English-speaking world received the new translation of the “Roman Missal Three-Point-O.” Because the missal is intimately connected with Holy Mass, there is literally no end to what could be said about it.

Recently, though, I gave an adult education presentation on the topic in my parish. I limited myself to speaking on five central “highlights” and left the rest of the session to questions and answers. I would like to present those same, five central points as a five-part series in this written forum. These observations are not intended to constitute a comprehensive analysis of the missal, but I hope they will serve as insights into the treasures we have just received.

My first highlight concerns the Church as “She.” The beautiful new rendering of the Roman Canon includes these words:

“Accept and bless these gifts, these offerings, these holy and unblemished sacrifices, which we offer you firstly for your holy catholic Church. Be pleased to grant her peace, to guard, unite, and govern her throughout the whole world.”

And, in the prayer that follows the Embolism and leads into the Sign of Peace, we now pray:

“Look not on our sins, but on the faith of your Church, and graciously grant her peace and unity in accordance with your will.”

The use of the feminine singular pronoun may strike our ears strangely, since we have been referring the Holy Mother Church as “it” for the last forty-some years. The feminine pronoun is, however, a very fitting usage (and one we should employ in our own speech concerning the Church). Why?

Because the Church is the Bride of Christ, and She is our Mother. The Bible uses lots of imagery, and one of the most pervasive, overriding images of Scripture is the marriage of Christ with the Church. The image begins in Genesis and extends throughout all the prophets; it is mentioned in the Gospels, and it takes center stage as the wedding feast of the Lamb in the Book of Revelation. Cover-to-cover, the Bible is the story of the marriage between Christ and His Church. Just as in earthly marriage, this heavenly marriage necessitates the union of a man with a woman in an inseparable bond that is faithful, fruitful, and utterly free. For this reason, the Church has always been regarded as a feminine entity. Now our English liturgical prayers reflect that great truth.

Blessed Isaac of Stella makes a comparison between Mary and the Church. He points out that both are Mothers. Both, moreover & mysteriously, are virgins—women blessed with generativity, though not with sexual union. Mary is the Church in nucleo: at Bethlehem, at Nazareth, at Golgotha, at Pentecost, and at the Assumption.

Like Mary, the Church is, indeed, our Mother. May She always be honored as such!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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