Views from the Choir Loft

Midnight Mass

Fr. David Friel · December 24, 2012

OME FOLKS WOULD THINK IT CRAZY to head out in the dead middle of a cold & snowy night to attend Christmas Midnight Mass. But there’s nothing better we could do. Can you think of a better expression of our faith than this? We believe that God, in an incomparable act of love, sent His only Son to become a Baby on this earth to bring us light. It’s only fitting that we should trudge ourselves out of our houses, in the darkest moments of the day, to welcome this Child of Light among us.

What Child is this? Who has come among us? The Christmas liturgy, itself, tells us: “Today is born our Savior, Christ the Lord.” He is the “Wonder Counselor,” a “Prince of Peace,” “God Hero!” He is Love Personified! Now that He is here, salvation has dawned upon us. Just a single breath of the Christ Child would have been enough for us to be saved, because (at last!) there was Someone Who could pay the debt of sin.

But God had even more beautiful plans. He sent His Son not only to redeem the world, but to teach us how to be light, ourselves. When we put the needs of others ahead of our own, we spread light through the world. When we practice the corporal and spiritual works of mercy, we bring light to this world. When we give of ourselves without counting the cost, we become the light of the world. In all these ways, we have the power to dispel the darkness that surrounds us with the Light of Christ, which cannot be conquered or hidden or dimmed.

Catholics make a statement by clinging to the tradition of Midnight Mass. We tell the Baby Jesus, as well as the whole world, that we will not hold back the light of our faith. When challenged, we will respond with the light we have received. We are on a mission to continue the mission of Jesus: the mission of illuminating the darkness of the world.

“The people who walked in darkness have seen a great light.” Not only have we seen a great Light, but we are choosing to let that Light shine brightly in our hearts, in our neighborhoods, and in our world. As St. John says so beautifully in the Prologue to His Gospel: “The Light shines in the darkness, and the darkness has not overcome it.”

May the witness of our lives in the coming Year of Our Lord 2013 shine forth with the wonderful Light of Christ!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

“Samaritánæ” (3rd Sunday of Lent)

With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski