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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Worth of Waiting

Fr. David Friel · December 2, 2012

ROWING UP, my mom would drive us to school every morning. So my brother, two sisters, and I became very familiar with the route from our house to the parish grade school. Along the way, one of the things we would pass was a Methodist Church. I remember that every year, toward the end of the school year, that Methodist Church always put a sign out on their lawn advertising their annual Strawberry Festival. I probably didn’t think anything of it at first. But, as I got to be in fourth or fifth grade, I started to think about that a bit more. I wondered why on earth anybody would hold a festival to celebrate strawberries. Why would you? It made no sense to me.

I loved strawberries as much as the next kid, but I loved macaroni & cheese, too, and I never saw anybody hold a Macaroni-and-Cheese Festival. So I asked my mom about it, and she explained that strawberry festivals come from the days when you couldn’t get strawberries all year round. Strawberries are really only in season, in these parts, from about April through September. Thanks to improved technology & transportation & imports, I could go to the supermarket today—even in December—and buy a package of delicious-looking strawberries. Fresh strawberries used to be something you had to wait for, whereas you could have mac-and-cheese anytime. That’s why the festival developed: to celebrate the harvest and the return to strawberry season.

I’ve never known what it is to wait for strawberry season. I’ve never known a world in which I couldn’t go to the store and buy strawberries 365 days a year (and at a 24-hour store, no less!). In fact, if I don’t want to wait in line, most stores will let me go through a “self check-out” line to speed things up.

We’ve become so instant that we’ve lost the ability to wait. We make coffee in our Keurig’s, because we don’t want to wait for a pot to brew. We can’t wait to put the car in park before reading our text messages. It used to be a two-week trip to sail to Europe, but now I could be in Rome in time for dinner if I left right after breakfast. All of these advancements are good, in themselves, but they come with unintended side effects. One of those harmful side effects is that we’ve trained ourselves to reject waiting. I propose, however, that we need to rediscover the intrinsic worth of waiting.

The Church has the remedy for this. In her wisdom, she gives us Advent, the season of waiting for our Lord’s coming. I’ll bet you can remember a time when you got really excited for Christmas. Certainly, when you were a young kid, you knew how to look forward gleefully to Christmas. But, what about more recently? Has the whole experience dulled a bit? Has your childish excitement ever matured into an adult excitement for Christmas—the joyful anticipation that longs to see the face of Christ?

Advent is only a few short weeks, but it can be a terrific time to foster that mature excitement within our hearts. It’s not Christmastime yet; it’s Advent, and there are so many graces to be had in the stillness and the waiting. There will be a whole Christmas season, too, but we have to wait for it. That waiting is good for us. Really good waiting stretches us, and it helps us to better appreciate the thing for which we wait.

If we enter into Advent in this spirit of holy waiting, we’ll end up appreciating the Christmas mystery all the more. When we make our way here for Christmas Mass, we’ll see all the candles on the wreath lit and all our decorations hung. We’ll see poinsettias & angels & the manger, but, more importantly, we’ll feel the love of the Christ Child palpably in our hearts. We’ll be like the folks fifty years ago who went to the strawberry festival. After months of waiting, they could finally sink their teeth into a rich, fresh, perfectly ripe strawberry once again. I’ll bet you my grandmother knew how to appreciate a good strawberry when their season returned. We can experience something very similar if we embrace the opportunity to wait for Christ to come.

It’s almost a guarantee that, at some point in the next week, we’ll find ourselves standing in line someplace. Standing in line is something no one enjoys and something we all try to avoid. I challenge you, sometime this week, to wait in line and like it. Relish it! Instead of letting it become an occasion of sin or impatience or anger, use it as a moment of meditation. Thank Jesus for the gift of that moment, and—in a world that’s always rushing— thank Him for the opportunity simply to wait.

If we can find enjoyment in standing in line, we’ll be able to appreciate the grace of Advent waiting. And if we can appreciate Advent waiting, we’ll be better able to sink our teeth into the Christmas mystery.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

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  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In

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