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Views from the Choir Loft

“Proper Of The Mass” (Ignatius Press) • Part 6 of 7

Lucas Tappan · April 21, 2015

LMT Propers Weber READILY ADMIT that I am a perfectionist. When I do something, I believe in doing it well and to the greatest extent possible, which has always been my goal in the sacred music field (why else do something so insane as beginning a choir school!). To that end, my choir began singing at least the Communion antiphon during choral Masses. I decided to sing them in English (thinking this might temper any anti-Latin backlash), settling on two different simplified versions. However, neither of these versions went over well with the choir (myself included), the congregation or even our pastor. One day he came into my office and echoed what the choir had been telling me for several months—he found these chants to be boring and asked if we would please stop singing them. A little while later I decided to go for broke and used Richard Rice’s Communio settings. Funny enough, no one protested (several people did ask for translations, which we now provide) and a number of people commented to me on how beautiful they thought the chants were. So… what did I conclude?

We often speak of Gregorian chant as having a deep Catholic spirituality and ethos, and I think maybe it was those universal qualities that appealed to my fellow parishioners. When I reviewed Fr. Weber’s new book The Propers of the Mass for Sundays and Solemnities, I found those very qualities in his settings of the Propers. Andrew Motyka wrote that they have the “smell” of the Liturgy. I might add that it is because they have the “smell” of the Gregorian Propers (especially the first option for each antiphon) and those universal qualities described above. If I were to use English settings of the Propers of the Mass, this would be my go-to book. Bravo Fr. Weber!

This article is part of a series on Fr. Weber’s Book of Propers:

Part 1 • Andrew Motyka

Part 2 • Richard Clark

Part 3 • Veronica Brandt

Part 4 • Fr. David Friel

Part 5 • Andrew Leung

Part 6 • Dr. Lucas Tappan

Part 7 • Jeff Ostrowski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers Ignatius Press by Fr Samuel Weber Last Updated: January 1, 2020

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About Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Quick Thoughts

    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3).
    —Jeff Ostrowski
    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski

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“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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  • Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦

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