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Views from the Choir Loft

“Proper Of The Mass” (Ignatius Press) • Part 2 of 7

Richard J. Clark · April 17, 2015

R. WEBER’S LANDMARK book The Proper of the Mass for Sundays and Solemnities published by Ignatius Press is a great gift to the Church. He bends over backwards to make the propers as user friendly as possible. The texts are in English. There are multiple settings of each proper, which accommodates choirs of varying levels. Each psalm verse is written out. One could not ask for anything more.

A Publication like this begs an interesting question. What would the state of liturgical music look like today if such a resource were available immediately after Vatican II and many parishes adopted it? While difficult to imagine a typical parish adopting this today, fifty years ago, such a publication would have provided continuity. For many, it may have been a natural outcome of Vatican II.

While much of the confusion and misunderstanding following Vatican II was inevitable, such a collection would have set a model as did the works of Theodore Marier with hymnody, psalms settings, and singing the mass. But with respect to the propers, the hole we are digging ourselves out of would perhaps not be quite as deep. “Option 4” of the GIRM would not be the default setting as readily as it is today.

BUT CONJECTURE IS USELESS. History has played itself out and continues to do so. We have had fifty years to look upon the great successes and failures of the implementation and interpretation of Vatican II. That this resource—and a flood of new ones—are becoming available, points to a new awakening in the Church. Even mainstream publishers are beginning to take notice and provide new resources. We are only at the dawn of this awakening, but the sun is rising.

Death is necessary for rebirth. Despite Vatican II’s call for a renewal in Gregorian Chant, its death was nearly universal save a few beacons of light that kept it alive. What we are experiencing now is the rising after death. Progress may appear very slow to us, but what is true will always live on.

This article is part of a series on Fr. Weber’s Book of Propers:

Part 1 • Andrew Motyka

Part 2 • Richard Clark

Part 3 • Veronica Brandt

Part 4 • Fr. David Friel

Part 5 • Andrew Leung

Part 6 • Dr. Lucas Tappan

Part 7 • Jeff Ostrowski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Proper of the Mass in English, Propers Ignatius Press by Fr Samuel Weber Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The Iste confessor was greatly altered and the hymn for the Dedication of a Church, which no one ought to have touched, was in fact completely recast in a new meter.

— Father Joseph Connelly

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