Views from the Choir Loft

THE ADALBERT PROPERS

Richard J. Clark · October 16, 2020

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Jeff Ostrowski · October 2, 2020

“Spoken vs. Sung Propers” • The Complete History

Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Jeff Ostrowski · August 19, 2020

Clarity! • Missal vs. Gradual Text (Ordinary Form)

If this problem is to be solved, we must first understand it.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Jeff Ostrowski · May 25, 2014

The Mystery of Missal vs. Gradual has been solved!

Are there concrete reasons to prefer the ancient texts from the Roman Gradual? Short answer: Yes!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

“Reprehensible Rhymes” • (1955 Hymnal)

It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

—Jeff Ostrowski

PDF Download • “Singers’ Booklet”

The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

—Jeff Ostrowski

Feast of All Saints (Nov. 1st)

The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

—Jeff Ostrowski

Preface of Saint Joseph (added by the pope)

You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

—Jeff Ostrowski

“Predictable Rhymes?” • A Follow Up

We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?

—Jeff Ostrowski

‘Ould’ But Not Good

Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.

—Jeff Ostrowski