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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Catholic Hymnals

Corpus Christi Watershed · August 31, 2022

“This Hymnal Makes My Heart Sing!” —Lauren E.

“It was compiled by priests and musicians who are authentically Catholic…” — Lauren Elizabeth

Jeff Ostrowski · June 29, 2021

“Talk Is Cheap” • Advice For Music Directors

If you fail to carefully plan your rehearsal, you’ll be eaten alive. And rightfully so!

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Jeff Ostrowski · February 26, 2020

PDF Download • “Hymnal of Christian Unity” (1964)

There’s something comforting about the Brébeuf hymnal translations, since they were created by Catholic priests.

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Jeff Ostrowski · February 6, 2020

PDF Download • “What Makes A Good Hymn?”

Dr. Terry says: “The melody must be clearly defined, free from triviality and trite clichés, avoiding harmonies that are sugary or sensuous.”

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Jeff Ostrowski · January 14, 2020

A Phenomenal Epiphany Hymn!

I wish Epiphany lasted forever—the hymns are rich with theology!

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Jeff Ostrowski · October 30, 2018

“Source Material” • The Saint Jean de Brébeuf Hymnal

We assembled a staggering number of Catholic hymnals and selected only the very best material from each.

Jeff Ostrowski · October 24, 2016

PDF Download • Rare Hymnal by Organist at the Birmingham Oratory (1913)

Download all 572 pages—thanks to Peter Meggison!

Jeff Ostrowski · July 20, 2016

PDF Download • St. Cecilia Hymnal (1937)

Like all the books we release, this extremely rare hymnal was previously unavailable until we scanned and uploaded it.

Jeff Ostrowski · November 19, 2015

PDF Download • Hymnal by Fr. John Selner (1954)

Some of the old Catholic hymnals were dreadful, but this one is splendid.

Jeff Ostrowski · September 28, 2015

PDF Download • Extremely Rare Hymnal (1952)

Published by the Catholic Choirmasters’ Guild of Buffalo, New York.

Jeff Ostrowski · April 28, 2015

PDF Download • “The Parish Hymnal” (1957)

“The origins of some are not known due to the long and nearly untraceable popular usage they have enjoyed.” —Gregorian Institute

Jeff Ostrowski · March 2, 2015

PDF Download: “67 Hymns” Arranged & Translated by Rev. Adrian Fortescue (1913)

I cannot help but think of this hymn collection as his greatest masterpiece.

Jeff Ostrowski · January 24, 2015

PDF Download: Saint Rose Hymnal (1938)

“It contains about two hundred hymns—all from approved sources—and covers every phase of Catholic devotion.” —Foreword by the Bishop of La Crosse

Jeff Ostrowski · January 21, 2015

PDF Download: “Laudate Hymnal” (1942) … An Exceptionally Rare Book!

“We feel that the selection of hymns leaves little to be desired…” —From the 1942 Foreword

Jeff Ostrowski · January 20, 2015

PDF Download: Hymn Book By Sisters Of Notre Dame (1907)

“Yet zephyrs vainly fan me, and flow’rs to groves invite…”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

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