Views from the Choir Loft

Hymn for Christ the King

Jeff Ostrowski · November 1, 2021

A Deaf Composer? A Deaf Conductor?

When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare.

Jeff Ostrowski · October 26, 2021

“Breathtaking Beauty” • Hymn for Christ the King

John Newton—who wrote “Amazing Grace”—was a slave trader, but ended up being caught and made a slave himself!

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Jeff Ostrowski · September 21, 2021

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Did Vatican II “restore” the hymns—as mandated by §93 of Sacrosanctum Concilium?

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Jeff Ostrowski · June 15, 2021

Hymn • “Christ is King” (Father Ivor Daniel) + Rehearsal Videos!

“Once there were lost islands, but most of them have been found…”

Jeff Ostrowski · May 19, 2020

New Harmonies! • “To Jesus Christ, Our Sovereign King”

It’s hard to believe, but Father Knauff’s “Christ the King Hymnal for Congregational Singing” (1954) omitted this hymn!

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“Music List” • 17th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.

—Jeff Ostrowski

Communion • “Ask & You Shall Receive”

All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.

—Jeff Ostrowski

Jeff’s Mother Joins Our Fundraiser

To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed