Views from the Choir Loft

David Haas Composer GIA

Jeff Ostrowski · February 20, 2025

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

“One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” —Pope Saint Paul VI

Andrea Leal · January 13, 2023

New Lectionary for the USA • Coming in 2028?

“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee

Jeff Ostrowski · April 27, 2021

Paul Inwood Attacks Jeff Ostrowski’s Harmonies

Paul Inwood has unwittingly committed a rookie’s error here…

Follow the Discussion on Facebook

Jeff Ostrowski · January 12, 2021

Lies, Lies, Lies

“Narrative lies” cannot exist without a storyteller.

Follow the Discussion on Facebook

Corpus Christi Watershed · April 17, 2017

G.I.A. Publications President: “Statement on Composer David Haas”

Alec Harris (President of GIA Publications) “can’t overestimate the profound impact” that David Haas had on “everyone at GIA Publications.”

Jeff Ostrowski · January 26, 2016

Not Your Grandmother’s Creed

Composer David Haas posted a striking proclamation on his Facebook page.

Dom Pothier • Photo from 1904

Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠

—Jeff Ostrowski

PDF • “3-Voice Motet” (Father De Laet)

I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.

—Jeff Ostrowski

PDF Download • “Hymn for 2 Voices”

Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

“Reminder” — Month of January (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski