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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Corpus Christi Watershed · March 19, 2013

Potiron Accompaniments to the Office of the Dead

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1912 Gregorian Accompaniment Treatise (Abbé F. Brun)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1960 The Solesmes Method (Gajard)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1908 Pustet Graduale (Fragment)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1917 Biton/Grosjean Gregorian Accomp. Treatise

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1930 Nashdom Abbey Graduale (Fragment)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1924 “Liber Usualis” in Modern Notation (Solesmes)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1932 “Le nombre musical Grégorien” (Mocquereau)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1905 Solesmes Kyriale (643)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1930 Text Book of Solesmes Gregorian Chant

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1923 Treatise on Gregorian Accompaniment (Giulio Bas)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1963 Chant According to the Manuscripts (Murray)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1856 Gevaert Method for Accompanying Plainchant

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1939 Little Grammar of Gregorian Chant (Gogniat)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1818 Antiphonale (Bourguignon)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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