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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · January 8, 2018

PDF Download • Anglican Hymnal (1,151 pages)

I bet you’ve not seen this fascinating book! • Many pieces in this Anglican collection are actually translations of Roman Catholic hymns, such as Ave Maris Stella, Audi Benigne Conditor, Ad Regias Agni Dapes, and so forth • Readers will mainly be interested in sections 3 and 4 • The “Englished” versions of the propers (e.g. Puer Natus Est) are quite interesting+

Fr. David Friel · October 1, 2017

Printable Card • “Prayers at the Foot of the Altar”

A handy resource for priests and servers

Jeff Ostrowski · September 20, 2017

PDF Download • “Missal for the Laity” (1846)

Have you noticed liturgical progressives are never happy?

Fr. David Friel · September 14, 2017

Origins of the Exaltation of the Holy Cross

A summary of the complex history of a unique sanctoral feast

Fr. David Friel · July 9, 2017

JPII: “The Roman Church Has Special Obligations to Latin”

This vision of the Church’s relationship with Latin is quite different from the perspective held by many post-conciliar liturgists.

Jeff Ostrowski · April 15, 2017

“Reproaches” for Good Friday (Recording)

The indispensable “Musician’s Guide to Good Friday,” including a 50-page PDF and rehearsal videos!

Jeff Ostrowski · March 21, 2017

Easter Hymn: “O Filii et Filiæ” • Contemporary setting (SATB)

Pardon my squeaky Soprano notes, but I wanted to demonstrate how it sounds! • A wonderful setting of the haunting “Easter Alleluia” based on a work by Monsignor Jules Van Nuffel.

Veronica Brandt · October 22, 2016

Compline Online with Chant Notation

A handy online copy of Compline according to the 1962 liturgical books dynamically adapting to the day of the week, feast or feria and looks great on small screen mobile devices.

Jeff Ostrowski · October 18, 2016

Palestrina • Jaw-Dropping “Kyrie” based on a Hymn

Two generous young ladies, currently in high school, helped me record this gorgeous Kyrie.

Fr. David Friel · May 29, 2016

Priests as Ordinary Ministers of Holy Communion

A Duty That Is Not Ours to Surrender

Jeff Ostrowski · April 11, 2016

Sacrament of Confirmation (EF) • “Fully Notated Confirmation Prayers”

You Will Want To Download These! • Written-out (“notated”) sheets for the Rite of Confirmation in the Extraordinary Form.

Fr. David Friel · March 20, 2016

Baptisms in the Extraordinary Form

Reflections on a Recent Experience

Fr. David Friel · February 7, 2016

The Phrasing of the Sanctus

The Difference a Comma Makes

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Jeff Ostrowski · November 30, 2015

Changing The Good Friday Prayer For The Jews

“Christianity is the perfect development of the Jewish religion…” —Fr. Leslie Rumble

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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