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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 24, 2013

Dom Gregory Murray’s People’s Mass & Holy Week

Here is Dom Gregory Murray’s “People’s Mass” in Latin. Somebody could take this, insert the new Translation, and make a lot of money. P.S. What’s it doing in Lapierre’s Holy Week?!!

Fr. David Friel · March 24, 2013

The “Basically Good Person”

And the Work of the Devil

Jeff Ostrowski · March 23, 2013

Historic Meeting of . . . Two Popes? Awesome!

I am not a person who “gets emotional” very easily, but this meeting really touched my heart.

Jeff Ostrowski · March 22, 2013

Interview with Pope Francis While Still A Cardinal

“I admire the courage and uprightness of Pope Benedict on the subject.”—Pope Francis

Richard J. Clark · March 22, 2013

A Personal Encounter with Pope Francis

While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute.

Corpus Christi Watershed · March 21, 2013

Good Friday Passion In Parts – Free PDF Booklet

This beautiful PDF was created by Jim & Claire Ridley.

Corpus Christi Watershed · March 21, 2013

Passion Booklet “in parts” For Palm Sunday (YEAR C)

Jon Laird has kindly created a printable PDF Gospel Booklet for Passion (Palm) Sunday containing the Passion for Year C.

Dr. Peter Kwasniewski · March 21, 2013

On Listening to Good Music

Some people say that today’s popular music is “more emotional” while traditional music is “less emotional.” In reality, emotions evoked in popular music are more crude and monotonous. Emotions elicited by the music of Palestrina, Bach, or Mozart, being more intellectual, are more profound and pure.

Richard J. Clark · March 20, 2013

Free Communion Propers for the Easter Season, Year C

Free download of Communion Propers for the Easter Season, Year C

Andrew R. Motyka · March 20, 2013

Cub Scouts, Abel, and Liturgical Music

The Cub Scout motto and how we should always render our best work to God.

Corpus Christi Watershed · March 19, 2013

Inaugural Mass of Pope Francis

Hundreds of thousands of people packed St. Peter’s Square in Vatican City to watch the inaugural Mass, formally installing Pope Francis on 13 March 2013, the Feast of St. Joseph.

Corpus Christi Watershed · March 19, 2013

1894 Introduction aux mélodies grégoriennes

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

Sarum Tonale (English Psalm Tones with Organ)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1886 Du Chant Grégorien (Lemmens)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1949 History of Catholic Church Music (Fellerer)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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