• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Jeff Ostrowski · April 29, 2013

Solesmes Salicus & Scandicus Vs. Pure Vatican Edition

Does noticing this officially make me a “Chant Geek” ? Or is it the mere fact that I actually care about such things . . .

Aristotle A. Esguerra · April 29, 2013

A preview of Modal Responsorial Psalms and Gospel Acclamations: Round-note SATB Edition

In the near future Corpus Christi Watershed will be releasing the round-note SATB edition of Modal Responsorial Psalms and Gospel Acclamations See a sneak peek of the settings for the Extended Pentecost Vigil here.

Fr. David Friel · April 28, 2013

Sacrificing Ourselves

The New Commandment

Veronica Brandt · April 26, 2013

Divided we fall

Appealing to specific age groups weakens a parish.

Richard J. Clark · April 26, 2013

So, Who Is the “Leader of Song” Anyway?

Is the cantor the “leader of song”? It may be surprising that there are a few answers to this question, but it leads towards one ideal.

Veronica Brandt · April 26, 2013

Arundel hymns

Chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Inroductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net.

Jeff Ostrowski · April 25, 2013

Catholics in the United States Can Kneel Now!

A change has been made in the United States with regard to kneeling for Holy Communion: “the exhortation to catechesis is removed and the exception to the norm of standing is left to the discretion of the faithful.”

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Jeff Ostrowski · April 24, 2013

Rev. Fr. Christopher Smith on the Campion Missal

“And so, I launched out into the deep and asked for donations. Within 72 hours we had not only covered the cost, but also had more donations than we could possibly use for that project.” — Fr. Smith

Andrew R. Motyka · April 24, 2013

Following the Leader

The choir director as a model for singing.

Corpus Christi Watershed · April 23, 2013

This Sunday’s Responsorial Psalm . . . Free To All

R. I will praise your name forever, my king and my God.
“The LORD is gracious and merciful . . .”

Jeff Ostrowski · April 23, 2013

Introducing the Lalemant Propers (391 Pages) — Free Download !

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

Corpus Christi Watershed · April 23, 2013

01 • Lalemant Interviews: Fr. Christopher Mann

Corpus Christi Watershed will be conducting a series of interviews with priests, seminarians, sisters, and lay folks to raise awareness about the Mass Propers.

Jeff Ostrowski · April 22, 2013

A Tale Of Two Monsignori: Schmitt & Vyverman

Did Msgr. Schmitt malign Msgr. Vyverman of Malines? And did Fr. Schmitt truly forget Gogniat’s name?

Cynthia Ostrowski · April 22, 2013

Catholic Line Art, Black and White • Installment #15

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 302
  • Page 303
  • Page 304
  • Page 305
  • Page 306
  • Interim pages omitted …
  • Page 334
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.