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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · May 23, 2013

05 • Lalemant Interviews: Fr. Guy Nicholls

Rev. Fr. Guy Nicholls, an internationally-renowned expert on Gregorian chant and Renaissance polyphony, speaks about the Mass Propers in a “live” phone interview.

Jeff Ostrowski · May 23, 2013

The Church Is Alive And Strong!

“The Church asks those who will lead and shepherd her communities of Faith to give up the possibility of marital love as a prophetic witness that there is something even more important to our happiness than even beautiful intimacy possible in Christian marriage.” — Archbishop Naumann, 18 May 2013

Dr. Peter Kwasniewski · May 23, 2013

Discerning Changes in the Old Missal

Could there be room for legitimate changes to the Missal of 1962, the last typical edition of the traditional Roman Rite of Mass or the “extraordinary form”?

Jeff Ostrowski · May 22, 2013

American Airlines & Anti-Catholic Lies

I took out my iPhone to record his exact words (“we don’t have any more airplanes”) and he called security on me. Classy.

Andrew R. Motyka · May 22, 2013

An FYI on EP in the OF – Part 1

Part 1 of the Evening Prayer walkthrough series.

Jeff Ostrowski · May 20, 2013

Poterack Vs. Tucker — Uh, Sort Of . . .

The Sacred Congregation of Rites and the Consilium issued a joint statement on December 29,1966 prohibiting profane music in church. When Consilium spokesman Monsignor Annibale Bugnini was asked at a press conference what was meant by “profane” music, he said that this referred to such things as “jazz” Masses and instruments such as the guitar.

Fr. David Friel · May 19, 2013

Renewed By the Spirit

The New Evangelization & Pentecost

Veronica Brandt · May 18, 2013

Sharing sacred music online

Putting books and booklets together by cut and paste.

Richard J. Clark · May 17, 2013

What Is a “Performance” in Liturgy?

Seminarian Ryan G. Duns, writes, “…it’s not about me putting on a show, about making something happen. My Jesuit training and my musical training converge: I think I’ll be my best when I am noticed least, when I can get out of the way so that those who approach the Lord’s Table are treated, not to a dose of Duns, but to an encounter with the Risen One…”

Dr. Peter Kwasniewski · May 16, 2013

The Distracting Prayer of the Faithful

Looking at the structure and flow of the liturgical action, the Prayer of the Faithful marks a most awkward caesura in the liturgical action. We would be better off without them.

Andrew R. Motyka · May 15, 2013

An FYI on EP in the OF – Introduction

Celebrating Vespers well in your local parish.

Jeff Ostrowski · May 14, 2013

Why The Vatican II Hymnal Is The Best Hymn Book Ever Of All Time!

This hymn almost brought me to tears. I was shaking as I played it. It’s really beautiful and even haunting. But I was worried about the ending until I realized it was like the “smile” on the Mona Lisa.

Fr. David Friel · May 14, 2013

Judas Iscariot

Unrepeatable & Irreplaceable

Cynthia Ostrowski · May 14, 2013

Catholic Line Art, Black and White • Installment #17

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · May 14, 2013

04 • Lalemant Interviews: Fr. David Friel

Fr. David Friel speaks about the Mass Propers, bringing many insights, including how Eastern Catholics would view the current practice of the West.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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