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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · June 2, 2013

Corpus Christi

Not the Watershed, but True Worship

Veronica Brandt · June 1, 2013

As easy as (G)ABC

Including newly typeset Gregorian chant in your booklets has never been easier.

Jeff Ostrowski · June 1, 2013

A Most Magnificent Monogram

Can you find all the letters in this ancient symbol? Every Catholic knows how the Preface begins: “It is truly right and just, our duty and salvation, always and everywhere to give you thanks . . .”

Richard J. Clark · May 31, 2013

Decisions, Decisions…Progressive Solemnity, and Who Gets to Decide?

The Mass is a sung prayer and our greatest prayer. As such, it is not our goal to “make” something happen in liturgy. Only God can do that. Any role we have is God’s gift of grace to us. The sooner we understand that, the better we will fulfill our ministry and mission.

Corpus Christi Watershed · May 30, 2013

Latin Mass Training Videos (FSSP/EWTN)

Superb Training Videos: “How to say Mass in the Extraordinary Form.”

Jeff Ostrowski · May 30, 2013

History, Padre Pio, Pius X, And More

Did you know Padre Pio was drafted into the army? Did you know his father had to come to America to earn money so Padre Pio could be tutored before being accepted to monastic life?

Dr. Peter Kwasniewski · May 30, 2013

Beethoven’s “Missa Solemnis”

Music history textbooks often speak of Beethoven’s Missa Solemnis as no more than a purely artistic statement, when in reality it is a testimony to his deep, if idiosyncratic, Catholic faith.

Corpus Christi Watershed · May 28, 2013

Read This Before You Comment

We reserve the right to delete comments we deem inappropriate.

Jeff Ostrowski · May 28, 2013

The English And Their Hymns

I have noticed that the “English method” of hymnody prints the musical notes on one page and the words on another. Several experts explain why in this post.

Corpus Christi Watershed · May 28, 2013

Why Pope Won’t Fire Marini: “Put the Treasure of Tradition to Use”

Pope Francis: “Many have asked me about my choice to remove him from office and be replaced. I said no, just that I prefer him to even benefit me by his traditional formation.”

Cynthia Ostrowski · May 28, 2013

Catholic Line Art, Black and White • Installment #18

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · May 28, 2013

Disney’s “That Darn Cat,” Life Teen Masses, and More

“Music has the capability of evoking a place and a context.” — Dr. William Mahrt of Stanford

Corpus Christi Watershed · May 28, 2013

Mass In Honor of St. Ralph Sherwin • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

St. Anne Line • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

St. Edmund Arrowsmith • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

When the matter is thus regarded, an assertion which is being made today, not only by laymen but also at times by certain theologians and priests and spread about by them, ought to be rejected as an erroneous opinion: namely, that the offering of one Mass, at which a hundred priests assist with religious devotion, is the same as a hundred Masses celebrated by a hundred priests. That is not true.

— Pope Pius XII (2 November 1954)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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