The Organ Book of Adrian Fortescue

Jeff Ostrowski · July 17, 2013

Photo courtesy Charles Cole HARLES COLE, writing for NLM, has posted pictures of Fr. Fortescue’s special organ book. This book is now in the Westminster Archdiocesan Archives (but it would still be perfectly serviceable at Letchworth for the Extraordinary Form). It contains Fortescue’s instructions for the organist at Sung Mass, for the organ at Vespers and Compline, and for the celebration of Sunday and weekday Benediction.

I always wanted to see it, although the organ accompaniments are nothing special, on account of its historical value. Thank you, Maestro Cole, for saving me the trouble of traveling to England!

Click here to read what Fr. Aidan Nichols had to say about this book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Hymn Lyrics Which Don’t Fit

If we grow up singing hymns, we’re incapable of judging them—because we’re “too close” to them. People who know and love “Abide with me, fast falls the eventide” probably never realized the first word is one of the most egregious examples of incorrect accentuation. (The correct accent for “abide” is on the second syllable, not the first.) Similarly, when “O God, our help in ages past” is sung to SAINT ANNE, the word “under” should be replaced with “beneath”—otherwise the accentuation is incorrect. Another egregious example would be “Come Holy Ghost” (sung to LAMBILLOTTE), which incorrectly accents the final syllable of the word Comforter (“O Comforter, to Thee we cry…”).

—Jeff Ostrowski

12 July 2021 • FEEDBACK

A reader from Chicago writes: “Your work is exemplary, and these past 15 months have put into clear focus for me just how important Corpus Christi Watershed is as an evangelizing voice in the Church. During this pandemic, we have moved away from the ‘big publisher’ psalters, employing nearly exclusively your settings, which (in my opinion) are melodically appealing and perfectly embody the essence of ‘sacred music’—evoking chant, but looking forward to the future. Bravo, composers! We are pleased to have been able to contribute a small gift toward the vast amount of CCW music we have used in the past 16 months. Your site is professional, and your content is excellent. Moving from hymnody to propers during the pandemic was a revelation.”

—Jeff Ostrowski

PT Barnum, Henri Herz, + 1,000 candles

In the annals of pianism, there were some fakers: Vladimir de Pachmann, Ignacy Jan Paderewski, Leopold de Meyer, and Henri Herz. A hilarious story is told by Harold C. Schonberg about Henri Herz, his manager (Bernard Ullman), and 1,000 candles. I think you will enjoy reading it.

—Jeff Ostrowski

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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About Jeff Ostrowski