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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 8, 2013

Madeleine Lipatti & The Chopin Concerto Scandal

“One more reason to hate Wagner!”

Corpus Christi Watershed · July 8, 2013

Pope John XXIII To Be Canonized By Pope Francis

Pope John XXIII said that if we cease to value Latin, “poor mortal creatures may well become like the machines they build — cold, hard, and devoid of love.”

Jeff Ostrowski · July 8, 2013

A Tale Of Three Cities

“Do not seek to follow in the master’s footsteps. Seek what he sought.”

Guest Author · July 8, 2013

Thousands of Gospel Acclamations for Organ & Voice

A word and a request regarding the musical arrangements by Jon Naples on the Garnier Gospel Acclamations website.

Fr. David Friel · July 7, 2013

Adding Joseph to the Eucharistic Prayers

Meaning & Purpose

Veronica Brandt · July 6, 2013

At home it doesn’t have to be perfect

Singing from the Liturgy of the Hours at home is beautiful treasure to share with your family.

Richard J. Clark · July 5, 2013

Ascent to Freedom

True freedom does not rise from the capacity to fulfill all desires. Freedom is captivity, followed by battle, followed by faith, followed by wisdom and compassion as seen through the eyes of love. Of this struggle, true liberation is born.

Dr. Peter Kwasniewski · July 4, 2013

Blessed are the Peacemakers

Peace among men cannot come from hearts that are not at peace. Peace of soul is something only God can give us, and without it, we are lost.

Fr. David Friel · July 4, 2013

American License

For Freedom Christ Set Us Free

Andrew R. Motyka · July 3, 2013

Coming Full Circle in the Circle City

Indianapolis and the 2014 CMAA Colloquium.

Richard J. Clark · July 3, 2013

Fortnight for Freedom — Cardinal O’Malley’s Homily

In President Kennedy’s inaugural address, he said,“…the rights of man come not from the generosity of the state but from the hand of God.”

Cynthia Ostrowski · July 2, 2013

Catholic Line Art, Black and White • Installment #23

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · July 2, 2013

Anthrax . . . and the Mass Propers, of course!

It would seem that Corey Zelinski’s “anthrax” predates Professor László Dobszay’s.

Corpus Christi Watershed · July 2, 2013

Congratulations, Fr. Hubert Coeurderoy!

The 2nd Edition of the Campion Missal will soon be available, but here’s something far more important!

St. Edmund Campion Missal and Hymnal · July 1, 2013

Organ Accompaniments for the Campion Hymnal

The St. Edmund Campion Missal & Hymnal is a pew book (992 pages long) for the Traditional Latin Mass.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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