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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Brandt · March 15, 2014

Hymnal of St Pius X

Free download, a hymnbook from 1952, the organ edition, simplified Latin propers, English hymns, especially one for St Patrick for Monday!

Richard J. Clark · March 14, 2014

The Greatest in the Kingdom

Children grant us enormous perspective on life. They remind us not only what, but WHO is most important— namely, God and family.

Dr. Peter Kwasniewski · March 13, 2014

The Eternal, Not the Contemporary

Arvo Pärt speaks words of wisdom about why the music of some composers never gets old and why old texts are always young.

Corpus Christi Watershed · March 12, 2014

Sacred Music of Nicholas Wilton & Paintings of Fra Angelica (Lovely Video)

“My intention in writing sacred choral music is firstly for the adoration of God and the veneration and glorification of Our Blessed Lady …” — Nicholas Wilton

Andrew R. Motyka · March 12, 2014

Palm Sunday Passion Booklet – Free Download

Free Passion Booklet for Palm Sunday.

Jeff Ostrowski · March 11, 2014

1970s Theology Has Affected The Celebration Of Mass

“The first task of all specially designated ministers is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life…” — Fr. Eugene Walsh

Gwyneth Holston · March 11, 2014

Painting of St. Catherine of Siena Part II

See the “reveal” of the finished painting.

Jeff Ostrowski · March 10, 2014

“Father Bugnini has only one interest: press ahead and finish.” — Cardinal Antonelli, 1967

“Paul VI … declared that he had been hurt by certain arbitrary liturgical experiments and pained by a certain tendency to de-sacralize the liturgy.” — Cardinal Antonelli (19 April 1967)

Fr. David Friel · March 9, 2014

Steering Wedding Dates away from Advent & Lent

Embracing the Spirit of the Liturgical Calendar

Corpus Christi Watershed · March 9, 2014

Peter Kwasniewski: Sacred Choral Works

This book collects twenty years’ worth of choral compositions for the Catholic liturgy.

Jeff Ostrowski · March 9, 2014

Church music need not sound “Catholic” says drafter of USCCB guidelines

The author calls people who appreciate Gregorian chant “conservative” and those who don’t “liberal.” Are such labels really helpful?

Guest Author · March 8, 2014

Homily: 1st Sunday of Lent (Year A)

“‘At the acceptable time I have listened to you, and helped you on the day of salvation.’ Behold, now is the acceptable time; behold, now is the day of salvation.” -2 Cor 6:2

Richard J. Clark · March 7, 2014

It’s impossible to please everyone so do what is right and just.

Liturgical advice from Tony Soprano???

Dr. Peter Kwasniewski · March 6, 2014

Seven Theses for the Evaluation of Music

Let us listen consistently to the greatest works in music and make them the exemplars, the teachers, the inspirations and consolations of our interior life as aesthetic beings.

Fr. David Friel · March 5, 2014

The Essence of Lent

“Rend Your Hearts, Not Your Garments”

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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