Views from the Choir Loft

Mass In Honor Of Saint Isaac Jogues

Corpus Christi Watershed · May 19, 2014

Musical resources for the Mass in honor of St. Isaac Jogues:

* * Excerpted PDF — As printed inside the Jogues Illuminated Missal

* * Organ Accompaniments — At a Congregational Pitch Level

* * SATB Choir Scores — with Optional Organ Accompaniment

* * REMINDER: This is a compilation Mass, so titles of individual pieces below may not reference the Mass in honor of St. Isaac Jogues.

VIDEO RECORDINGS FOR PRACTICE:

“Lord, Have Mercy” • SATB

“Glory To God” • SATB • Unison (Modern) • Unison (Gregorian) • Unison (Mp3)

“I Believe In One God” • Unison Alternatim • Unison (Mp3)

“Holy, Holy, Holy” • SATB • Unison (Female) • Unison (Male)

“Mystery Of Faith” • SATB • Unison

“Doxology & Amen” • SATB • Unison

“Our Father” • SATB

“Lamb Of God” • SATB • Unison

SATB Practice Recordings (AUDIO):

“Lord, Have Mercy”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Glory To God”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Holy, Holy, Holy”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Mystery Of Faith”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Doxology & Amen”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Our Father”  •  SOPR  •  ALTO  •  TENR  •  BASS

“Lamb Of God”  •  SOPR  •  ALTO  •  TENR  •  BASS

Miscellaneous Versions of the Creed:

Congregational Printout (Gregorian Notation)

Choir Score (Modern Notation)

Choir Score (Gregorian Notation)

* * REMINDER: This is a compilation Mass, so titles of individual pieces may not reference the Mass in honor of St. Isaac Jogues.

“Daily I sat in the temple, close to you…”

Fulton J. Sheen always said the “very best translation” of Sacred Scripture was the version by Monsignor Ronald Knox, and here’s what Knox had for the Passion read today (Pre-1955 Palm Sunday): “And Jesus said to the multitude at that hour, You have come out to my arrest with swords and clubs, as if I were a robber; and yet I used to sit teaching in the temple close to you, day after day, and you never laid hands on me.” (Mt 26:55)

Did you catch that? Our Lord sat close to them! He was near them! The Second Person of the Blessed Trinity touched them, and was friendly toward them! Truly, the people who can hurt us the most—and betray us the most—are those whom we have loved.

—Jeff Ostrowski

Sacred Music Symposium • “What We Avoid”

I wish we had to time to discuss artwork at the Sacred Music Symposium, but there’s just not enough time. At this year’s conference in June, we will sing an absolutely incredible Magnificat setting by Father Francisco Guerrero (d. 1599). If you examine the part books, you will notice a marvelous aesthetic desire to avoid the same capital letter—for the sake of beauty. Do you see how the Part Books find a way to avoid repeating the Capital G twice, by using the word “Superius” (which is roughly analogous to “Soprano”)? Breathtaking!

—Jeff Ostrowski

“Abraham” • Guerrero Imitates His Teacher

Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the recommendation of Father Morales—to become mæstro de capilla of Jaén Cathedral. He was entrusted with the boarding, lodging, and instruction of the six choirboys; but he neglected this duty and was sentenced to be dismissed on 30 August 1548. However, he was absolved and reinstated on 3 November. I think you can see (perhaps) a little homage to his teacher on the word “Abraham.”

—Jeff Ostrowski