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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 20, 2014

Basic Steps To Improve Music At Your Parish — Part 6

You will not make progress at your parish unless you understand Pope Benedict’s “Unbelievably Big Kite” theory.

Jeff Ostrowski · July 19, 2014

Diary of Cardinal Antonelli (1964): “How Exactly Should The Vatican II Mass Look?”

If Pope Pius V or Gregory the Great were to come back, they ought to see that the Mass after Vatican II has substantially remained the same.” — Secretary of the Consilium

Jeff Ostrowski · July 19, 2014

Three Painless Ways To Begin Singing Propers … Without Losing Your Job

A peritus of the Council once suggested that certain parties detest the Mass Propers because they’re almost impossible to “hijack” with heterodox theology.

Veronica Brandt · July 19, 2014

Basic Steps To Improve Music At Your Parish — Part 4

Importing singers is the quickest way to get good music into your parish, even if it is only for one occasion.

Jeff Ostrowski · July 18, 2014

Inaccurate Statements About Translations Of The Mass Propers (A Pet Peeve)

The quickest way to make this clear to a skeptical priest or liturgist is to request that they bring you some Offertory antiphons from MR3. (They don’t exist!)

Richard J. Clark · July 18, 2014

Basic Steps To Improve Music At Your Parish — Part 3

Turn off the microphones. This can be a challenge when many parishes and even some cathedrals are enamored of carpeting – to say nothing of seat cushions!

Jeff Ostrowski · July 17, 2014

PDF Download: “Propers” by A. Edmonds Tozer and “Propers” by Father Theodore Labouré

“The law of the Church plainly declares that, whenever High Mass is celebrated, the Proper of the Mass must be sung or at least recited.” — Fr. Labouré (1922)

Dr. Peter Kwasniewski · July 17, 2014

Basic Steps To Improve Music At Your Parish — Part 2

I have been asked to recommend some ways in which any parish in the United States could improve the music used at Mass. Some parishes may already have taken the following two steps, in which case my advice will be nugatory for them, but if your parish has not yet done so, now’s the time to begin.

Aurelio Porfiri · July 17, 2014

Fr. Enrico Zoffoli and the Passion of the Lord

“And so, for Jesus – and for us – the Passion is everything, the Passion decides everything.” — Fr. Zoffoli

Andrew R. Motyka · July 16, 2014

Basic Steps To Improve Music At Your Parish — Part 1

Simple steps to start moving from the “average” Catholic music program to a more reverent liturgy.

Aurelio Porfiri · July 16, 2014

Confession 2.0

“You know I will never betray you, lol.” How many Hail Marys would this kind of sin deserve?

Aurelio Porfiri · July 15, 2014

I Am Not A Contemporary

Job searching is tough, you say? Try searching as a Church musician who is not “contemporary.”

Jeff Ostrowski · July 14, 2014

WLP Vice President Mentions The Jogues Missal (Without Realizing It)

“I am desperately trying to understand how what I experienced yesterday is not a separate rite.” — Dr. Jerry Galipeau

Guest Author · July 14, 2014

Homily: 15th Monday in Ordinary Time (St. Kateri)

St. Kateri grew up in very unlikely circumstances of ever becoming a saint. But she did.

Jeff Ostrowski · July 14, 2014

Benjamin Franklin Composed A String Quartet

Why must the music at Wedding receptions be blasted at such a deafening volume? What can be done?

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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