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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 18, 2015

Church Needs “Disposable Art” Created To Last “Not Centuries, But Weeks (Or Hours).”

Fr. Robert W. Hovda argues that “Little Green Apples” can be sung during Mass.

Veronica Brandt · July 18, 2015

Warm ups

Starting off choir practice with a game or two. Then a prayer before choir practice.

Andrew Leung · July 18, 2015

Summer Sacred Music Workshop 2015

Summer Sacred Music Workshop in Jasper, GA, on August 15.

Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

Jeff Ostrowski · July 16, 2015

Musical Resources • 8th Sunday after Pentecost (Extraordinary Form)

“The master in this Gospel is praising, not the wrongful act of the unfaithful steward, but the peculiar astuteness with which he makes friends who will be useful when things go amiss.” (Maredsous N. T.)

Andrew Leung · July 16, 2015

Afterthoughts on the Colloquium

Some afterthoughts on the Sacred Music Colloquium XXV

Jeff Ostrowski · July 16, 2015

Is Latin Impossible For Choirs?

When priests came into Bishop Trautman’s office asking permission, he would start speaking Latin to them.

Jeff Ostrowski · July 15, 2015

“Asperges Me” • Gregorian Chant

In the Extraordinary Form, the “Asperges Me” is only used on Sundays.

Jeff Ostrowski · July 14, 2015

1951 Solemn Pontifical Field Mass • With 100-Voice “Palestrina Cathedral Choir”

Following the Mass, Archbishop Joseph H. Schlarman was made an honorary Indian chief.

Jeff Ostrowski · July 13, 2015

SATB “Kyrie Eleison” • Henri Durieux

It’s extremely short and not difficult—yet fresh & gorgeous.

Jeff Ostrowski · July 13, 2015

The Day Fulton J. Sheen Made A Mistake

“Sheen told a friend of mine that anything he’d ever said of significance was taken from either Knox or Chesterton.” —Fr. George Rutler

Fr. David Friel · July 12, 2015

Vesting Prayers • Part 2 of 9

The Hand Washing

Veronica Brandt · July 11, 2015

Five ways to print the Propers

Printing copies of the propers is very handy for singers not yet confident with the Liber and other books.

Jeff Ostrowski · July 10, 2015

“You Will Now Feel These Interior Sentiments…”

Can you imagine a liturgical commentator standing at the front of Church declaring something like that?

Richard J. Clark · July 10, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As church musicians, what sustains us?

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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