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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 20, 2015

“Sacred Vs. Secular Music” • Fr. John C. Selner

“…like man, Mary, you are IN—really cool among women.”

Jeff Ostrowski · July 20, 2015

Is Renaissance Music Too Expressive For Holy Mass?

“To thee do we send up our sighs, mourning and weeping in this valley of tears.”

Andrew Leung · July 20, 2015

Videos • Bishop-Elect Robert Barron on the Liturgy

People should not be coming to Mass for the emotional high

Dr. Lucas Tappan · July 20, 2015

Should Children Have To Audition?

There is a proper balance between an impossibly hard formal audition and the usual “any child can join” policy that exists in the typical parish children’s choir.

Fr. David Friel · July 19, 2015

Vesting Prayers • Part 3 of 9

The Amice

Jeff Ostrowski · July 18, 2015

Church Needs “Disposable Art” Created To Last “Not Centuries, But Weeks (Or Hours).”

Fr. Robert W. Hovda argues that “Little Green Apples” can be sung during Mass.

Veronica Brandt · July 18, 2015

Warm ups

Starting off choir practice with a game or two. Then a prayer before choir practice.

Andrew Leung · July 18, 2015

Summer Sacred Music Workshop 2015

Summer Sacred Music Workshop in Jasper, GA, on August 15.

Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

Jeff Ostrowski · July 16, 2015

Musical Resources • 8th Sunday after Pentecost (Extraordinary Form)

“The master in this Gospel is praising, not the wrongful act of the unfaithful steward, but the peculiar astuteness with which he makes friends who will be useful when things go amiss.” (Maredsous N. T.)

Andrew Leung · July 16, 2015

Afterthoughts on the Colloquium

Some afterthoughts on the Sacred Music Colloquium XXV

Jeff Ostrowski · July 16, 2015

Is Latin Impossible For Choirs?

When priests came into Bishop Trautman’s office asking permission, he would start speaking Latin to them.

Jeff Ostrowski · July 15, 2015

“Asperges Me” • Gregorian Chant

In the Extraordinary Form, the “Asperges Me” is only used on Sundays.

Jeff Ostrowski · July 14, 2015

1951 Solemn Pontifical Field Mass • With 100-Voice “Palestrina Cathedral Choir”

Following the Mass, Archbishop Joseph H. Schlarman was made an honorary Indian chief.

Jeff Ostrowski · July 13, 2015

SATB “Kyrie Eleison” • Henri Durieux

It’s extremely short and not difficult—yet fresh & gorgeous.

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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