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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Richard J. Clark · March 17, 2017

Not “What” but “Why” is Fascinating

Some people are put off…Some are bored to tears. I am fascinated. Why?

Jeff Ostrowski · March 17, 2017

Quote Video • “Legislation on Sacred Music”

A thought-provoking production by “Six Candle Studios.”

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Dr. Lucas Tappan · March 15, 2017

Do we need hymns, when we already have Psalms?

The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.”

Jeff Ostrowski · March 14, 2017

Fighting With Choir Members?

“On Holy Saturday in 1545—while the pope and several cardinals were present—two of the oldest choir members flew at each other during the blessing of the new oils, shouting in a loud voice…”

Jeff Ostrowski · March 14, 2017

How Low Can You Sing?

I can’t even hear these pitches—can you?

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Jeff Ostrowski · March 10, 2017

GoFundMe Campaign • Needing Scholarships!

Sacred Music: “Curse the darkness…or light a candle?”

Jeff Ostrowski · March 10, 2017

Musical Resources • 2nd Sunday of Lent 1

“O God, Who seest how we are destitute of all strength…”

Richard J. Clark · March 10, 2017

Pope Francis, Sacred Music, and the Biggest Stage

Such musical exhortations are not new, but the tone and visibility are.

Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

Jeff Ostrowski · March 7, 2017

Vatican II • What You Were Too Embarrassed To Ask

Fr. Christopher Smith has created a 7-part series on Vatican II.

Dr. Lucas Tappan · March 7, 2017

Let Everything That Hath Breath Praise the Lord!

Point us once again to God Who is Beauty Itself!

Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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