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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 26, 2018

Musical Resources • Holy Thursday (FSSP, 2018)

“…Who didst establish the salvation of mankind on the tree of the Cross; that whence death came, thence also life might arise again, and that he, who overcame by the tree, by the tree also might be overcome…” —Preface

Fr. David Friel · March 25, 2018

Liturgy outside Liturgy

A New Study of the Liturgical Theology of Alexander Schmemann

Guest Author · March 24, 2018

Towards An Online (Modern) Palestrina Edition

“I don’t think I need to say why a complete Palestrina online would be a good idea.” —Gervais Frykman

Jeff Ostrowski · March 19, 2018

Fighting With A Bishop • Good Idea?

“We are fully determined to restore Latin to its position of honor.” —Saint John XXIII (22 February 1962)

Fr. David Friel · March 18, 2018

The Preface of the Holy Cross

An eloquent liturgical text worthy of prayerful reflection

Richard J. Clark · March 16, 2018

Eight Lessons • “Make Musicians Love Working With You”

Good-hearted musicians amplify success musically, economically, and spiritually.

Guest Author · March 12, 2018

Are Canonisations Infallible?

Dogmatic definitions never involve a new doctrine of faith or morals, since whatever a Pope defines must be contained in Holy Writ or in Tradition in order to be infallible.

Fr. David Friel · March 11, 2018

A Literal Translation of the New Testament

David Bentley Hart’s experiment in recovering the conceptual vocabulary of a distant

Andrew Leung · March 8, 2018

When Music Encounters Religion

A very special project at the University of St Andrews: the TheoArtistry project.

Jeff Ostrowski · March 8, 2018

4th Sunday of Lent (“Laetare Sunday”)

“Grant us, we beseech Thee, O merciful God, that we may treat with unfeigned veneration and ever receive with heartfelt faith Thy holy rites which we constantly celebrate…”

Jeff Ostrowski · March 6, 2018

PDF Download • Rare German Hymnal (879 pages)

Most German hymnals we’ve come across contain words only—but this one has harmonies!

Fr. David Friel · March 4, 2018

New Memorial of the Blessed Virgin Mary, Mother of the Church

Invoking Mater Ecclesiae in a new annual feast

Richard J. Clark · March 2, 2018

Blue Heron shines the light on Ockeghem—“The best composer you’ve never heard”

“He is in every way a composer of Bach’s stature and accomplishment both technically and expressively.” ~ Scott Metcalfe

Jeff Ostrowski · March 2, 2018

3rd Sunday of Lent (Extraordinary Form)

“Be merciful, O Lord, we beseech Thee, and free us from all sins and dangers…”

Jeff Ostrowski · February 28, 2018

Contemporary “Stabat Mater” (SATB) • by Gustaaf Nees (d. 1965)

You’ve never heard this arrangement before—perfect for Lent.

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

Recent Posts

  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?

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