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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Thoughts on Benedict

Fr. David Friel · June 4, 2017

HE LATEST edition of the liturgy magazine, Altare Dei, has just been released. This is the fourth issue of the growing publication, and it includes many fine articles and musical scores. It also features a new, more attractive format.

The twofold theme of this issue is the 100th anniversary of the Fatima apparitions and the 90th birthday of Pope Emeritus Benedict XVI. Among the excellent articles are the following contributions:

The Mysteries of Fatima (Marco Tosatti)

The Eucharist According to Edward Schillebeeckx (Givanni Cavalcoli)

Why Does the Church’s Liturgy Bore the Faithful So Much (Denis Crouan)

The Substantial Benedict (David Fagerberg)

Traditional Liturgy as Field Hospital (Roberto Spataro)

The Problem of the Sacred (Samuel Nyom)

Breaking Liturgical Bad Habits (Peter Kwasniewski)

“Tradition is Christ, Himself”: An Interview with Cardinal Raymond Leo Burke (Aurelio Porfiri)

My own article in this issue is entitled Thoughts from Benedict, and it draws upon two insights that I gleaned from St. Benedict via the life and writings of Pope Benedict XVI. Reflecting upon a quote about ars celebrandi from Pope Benedict’s 2006 address to the priests of Albano, I observe the following:

Understanding the Church’s worship as a gift that “precedes us” is an essential realization for every priest who celebrates the sacred liturgy. Understood in this way, ministry is less about interjecting personal creativity than it is about facilitating communion with God and with our fellow pilgrims. Entering into the mens and vox of the Church comes to be seen, in this light, as a step toward spiritual freedom and an act of generous humility.

As is true of each issue of Altare Dei, this latest installment features a substantial musical insert. Four pieces are included this month:

Deo Gratias (SATB and Organ) – Colin Mawby

Virgo Clemens (SATB) – Valentino Miserachs

De Maria Numquam Satis SATB – Aurelio Porfiri

O Salutaris Hostia (SA and Organ) – Aurelio Porfiri

Anyone interested in sacred music and the liturgy will find this to be a very interesting issue. It is available here, at the cost of €6.80. Download the latest issue, and see the excellent content and updated format for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Altare Dei Magazine, Aurelio Porfiri, Pope Benedict XVI, Sheet Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

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