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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Terrifying “But” Of Vatican II

Jeff Ostrowski · May 16, 2016

495 Pope Paul VI IMAGE NLY FOUR BISHOPS voted against Sacrosanctum Concilium, the very first Vatican II document promulgated. All the rest of the bishops—2,147 of them!—voted in favor of this document. Our readers probably know that Vatican II said Gregorian chant must be given “pride of place” at Mass under ordinary circumstances. Yet some forget the important qualifier which follows immediately—and this “but” strikes terror in the hearts of progressive liturgists.

A false understanding has taken root regarding the use of Gregorian chant. Visit any Catholic church on Sunday and you’ll see how rare it is for plainsong to be given pride of place. Most people assume there must be a loophole in Vatican II documents saying something like, “But if you don’t want to use Gregorian chant, that’s okay.”

Let’s consider what Vatican II actually said, in article 116:

“The Church acknowledges Gregorian chant as specially suited to the Roman Liturgy: therefore, under normal circumstances, it should be given pride of place in liturgical services.  But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action.”

Progressive liturgists hate what comes after the “but.”

After all, it’s hard enough for them to explain away the whole “pride of place” business. They usually launch into a lecture about how “normal circumstances” never exist in real life, each situation is different, and so forth. 1 Things become worse for them when they see that awful “but,” because it mentions SACRED music, and specifically mentions POLYPHONY.

How is it that so few Ordinary Form parishes use any plainsong? How is it that so few Ordinary Form churches use polyphony? When asked, professional liturgists often reply with a false answer: “Vatican II got rid of those things.” A leading progressive liturgist even called Gregorian chant a type of WEAPON. (Click here if you think I’m kidding.)

I HAVE ALREADY WRITTEN about the incontrovertible fact of false diversity vs. true diversity. Yet, many imply that ancient things must be discarded in favor of modern things. If that’s the case, why not discard the Bible? After all, the Bible is even more ancient than Gregorian chant!

I’m not opposed to modern music. Indeed, I myself compose, and Watershed promotes many contemporary composers. It’s a question of balance. So many Ordinary Form parishes use 99% contemporary songs while ignoring what Vatican II called the “musical treasure of inestimable value, greater even than that of any other art” (§112, Sacrosanctum Concilium).



NOTES FROM THIS ARTICLE:

1   They do something similar with regard to liturgical inculturation, which Vatican II says can play a role “particularly in mission lands.” I’ll never forget one progressive liturgist exclaiming: “But if you think about it, the entire world is mission country!” In other words, let’s keep twisting the meaning of the document until it means what we want.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

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  • PDF Download • “Anima Christi”

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