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Corpus Christi Watershed

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Views from the Choir Loft

PDF Download • “New Westminster Hymnal” (1939)

Jeff Ostrowski · March 7, 2016

ERE’S THE FOURTH PART in a series I’m creating to convince readers to donate $5.00 per month. Scroll down to access the other installments. By the way, the fifth installment (forthcoming) will make you very happy! [By the way, if you have not already done so, please do yourself a huge favor and check out the Brébeuf hymnal by Sophia Institute Press.]

All 452 pages of NEW WESTMINSTER HYMNAL—one of the most remarkable ever Catholic hymnals ever produced—has been made available for the first time:

* *  PDF Download • NEW WESTMINSTER HYMNAL (1939)
—Document scanned and uploaded by Corpus Christi Watershed.

If you value rare books like this one, please consider donating $5.00 per month. Watershed is a 100% volunteer organization; none of us is paid. Without your support, we cannot continue.

WHAT’S SO SPECIAL about hymn books like this? For one thing, it contains numerous Gregorian accompaniments by Dom Gregory Murray. (You can compare Murray’s version of “Corde Natus Ex Parentis” to mine.) This is to say nothing of the excellent hymn texts by Msgr. Ronald Knox and others. Moreover, interesting pairings abound. Consider, for example, Number 32, which takes my favorite Lenten hymn and adds a text by Alan McDougall, whose poetry was prominent in the Campion Hymnal.

Evelyn Waugh (1903-1966) has this to say about the work of Msgr. Ronald Knox on the NEW WESTMINSTER HYMNAL:

At the Low Week meeting of the hierarchy in 1936, Ronald had been appointed to a committee to revise the WESTMINSTER HYMNAL. Some converts from Protestantism repine at their lost opportunities for congregational singing. Indeed, many adult English Catholics do not hear a hymn from one year’s end to another. Ronald attributed this silence to the low literary quality of many Catholic hymns. He took the work of revision very seriously, and his taste—more than that of any other individual—pervaded the committee, whose deliberations were protracted for two years. He attended every meeting, succeeded in introducing several hymns from Catholic sources which had previously been known only to those who used the ENGLISH HYMNAL, and the work of comparatively modern poets such as Francis Thompson, G. K. Chesterton, Lionel Johnson, Canon Gray, and “Michael Field.” More than this, he made 47 translations from the Latin (out of a total of 106, only 9 of which were by living writers) and contributed 4 original hymns. The new book bears his personal marks clearly; it was issued in 1940 and cordially welcomed by informed critics. Catholic parishes are slow to change their habits. They still sing what the oldest members learned at school. A full generation must pass before the innovations, so patiently debated, are allowed to fulfil their work of enrichment.

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 18, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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