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Views from the Choir Loft

It’s not about talent

Veronica Brandt · June 25, 2016

Veronica at the keyboard AST WEEK I READ A COMMENT exhorting church musicians to be grateful for their God-given talents and the joy of playing music.

It may have been the emotional turmoil of third trimester pregnancy, or maybe some leftover exhaustion from a recent interstate trip, but suddenly I was sobbing into my arm in a flood of self-pity.

You see, I may be the worst aspiring organist I know who has the temerity to play at Mass. My fingers seem to be unable to stick to the right key signature and require 150% attention to stay on track. The times I get things right are generally the result of hours of practice in my “spare time”.

My singing voice may be passable, but I know enough to wish for some proper voice coaching as well as more practice singing together with the choir. We never seem to get up to “blending” – it takes long enough to hit the notes, let alone work on a good sound.

In short, talent just doesn’t come into it. The thing that makes music happen is lots and lots of work.

So many people will not try joining the choir under the blind assertion that they don’t have the talent. I don’t need talented singers – I need ordinary singers with the ability to attend weekly practice. That would be wonderful.

This idea carries over into other areas. Working on web pages has some of the same mystique and the same proportion of work to talent required. Today I formatted Charcoal Management 101 for my husband’s art shop. My eldest son – who also forms half my regular choir – helped with some of the more repetitive work while I squeezed in some more keyboard practice.

Drawing itself is another area where people often sigh about how talented someone is to draw so well. The facility in drawing is earned over many years of practice. There’s a great story about Picasso:

Legend has it that Pablo Picasso was sketching in the park when a bold woman approached him. “It’s you — Picasso, the great artist! Oh, you must sketch my portrait! I insist.”

So Picasso agreed to sketch her. After studying her for a moment, he used a single pencil stroke to create her portrait. He handed the women his work of art.

“It’s perfect!” she gushed. “You managed to capture my essence with one stroke, in one moment. Thank you! How much do I owe you?”

“Five thousand dollars,” the artist replied.

“B-b-but, what?” the woman sputtered. “How could you want so much money for this picture? It only took you a second to draw it!”

To which Picasso responded, “Madame, it took me my entire life.”

A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life. Servire Deo regnare est. To serve God is to reign.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

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