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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to do Marian Hymns

Veronica Brandt · October 24, 2015

N AUSTRALIA, anyone interested in sacred music is likely to cross paths with Ronan Reilly. He is something of a local legend. He’s the one on the left conducting. He appears seemingly at random around the country bringing amazing music to the most unlikely places.

Next to him is John Brazier, organist at Maternal Heart and co-conspirator in facilitating excellent music. He comes from a family of homeschooled over-achievers and manages to study Law in his spare time.

The other two are awesome too, but I haven’t met them.

And that is just the male quartet. Replace John with Rioghnach Wȩgrecka and you have the Prima Luce Quartet. Add a dozen more fantastic singers and there’s the large ensemble. Together they have just released their third album, this time a collection of Marian Hymns.

Listen to Arcadelt’s Ave Maria sung in the crypt of St Mary’s Cathedral in Sydney:



Go, check out their official website: www.primalucemusic.com

The collection includes quite a few new arrangements and compositions. Here is a brief track listing. The CD liner notes give more detail – you can see how young some of the composers are. Track 17 is Virgo Dei Genetrix, starting with the chant as you’ll find in the Liber usualis, followed by a beautiful polyphonic setting composed by 19 year old Thomas McKendry.

Track 14 kinda stands out as it is a Little Hymn to St Joseph – hey! I thought this was a CD for Mary! but look – the composer is John Brazier and the lyrics written by his sister, a Carmelite at Elysberg, PA. How beautiful is that?

But it was Tracks 11 and 12 which won over our family’s biggest critic with the lively arrangements of Stella Splendens and Help of Christians. I was playing the CD in the car and he complained he asked for the volume to be turned up so he could hear it – we have separate speakers in the back.

Stephen Smith’s Hail Queen of Heaven makes a stunning change from the usual tune. Stephen Smith gave a workshop on Gregorian Chant way back before I had started attending a Latin Mass – I remember he patiently taught a bunch of us Attende Domine at a Carmelite Convent, then gathered in the chapel there to sing it for Jesus in the Blessed Sacrament.

And that might just be what sets this group apart. They sing for the love of God. They are squarely aimed at giving glory to God. They are there on all the crazy pilgrimages (right now they’re between Ballarat and Bendigo). If you hear of a bunch of people singing in Latin in a McDonalds or a train station in Sydney, then you can bet it’s them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“You should try to eat their food in the way they prepare it, although it may be dirty, half-cooked, and very tasteless. As to the other numerous things which may be unpleasant, they must be endured for the love of God, without saying anything or appearing to notice them.”

— Fr. Paul Le Jeune (1637)

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  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
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