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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Novus Ordo Can Be Done Well!

Andrew Leung · May 14, 2015

CTL Novus Ordo can be done Well HANKS TO our beloved Pope Emeritus Benedict XVI, the Extraordinary Form Mass of the Roman Rite can be said by any priest at anytime now. And it is being said throughout the whole world now. However, a new “problem” is coming up. Have you said or heard others say something like: “the Extraordinary Form (EF) is just better than the Ordinary Form (OF)”; or “the OF is done so bad and it is not even valid”; or other similar words and negative ideas of the Mass? The reality is that our Lord is present at every valid Mass and the miracle of Transubstantiation happens at both EF and OF. The priest acts as Christ himself—in persona Christi—in the Mass whether it is EF or OF. Having preferences is fine, but to dislike one of the Forms itself may be a problem.

In the recent time of the Church’s history, a very holy priest wrote this famous line:

“The Mass is long,” you say, and I reply: “Because your love is short.”|

And yes, the holy priest is St. Josemaría Escrivá, the founder of Opus Dei and my favorite saint. This line is from his book The Way. He has a great love for the Liturgy and he encourages everyone else to have the same love. Under his guidance, the priests of Opus Dei devote their lives saying the Novus Ordo Mass faithfully and in a very traditional way. This video of their 2015 Ordination reminds me of how well they celebrate the Mass. But what I really want to share is the video below. This is the highlights of the Mass of Thanksgiving for the Beatification of Álvaro del Portillo, the successor of St. Josemaría. It was celebrated in Madrid by Bishop Echevarría Rodríguez in Madrid back in September of 2014:


The video of the whole Mass can be found here. I noticed a few things from this Mass that we don’t always see in the OF Mass:

• The noble simplicity of the Bishop’s vestments and the setup of the sanctuary|
• The Mass was sung in Latin; the Bishop chanted all the prayers and the dialogues|
• The homily was given from the “throne”|
• The Bishop held his fingers together when holding the chalice and after the Consecration|
• Communion was received kneeling and on the tongue; patens were used at all the stations

If you like watching the videos of Masses with Pope Benedict, you will like watching this Mass too. The Novus Ordo can be done well and this is a great example. It was celebrated recently, publicly, and in the presence of so many Catholic prelates.

Those interested in St. Josemaría and the Liturgy will enjoy the following three short paragraphs, taken from The Way :

Show veneration and respect for the holy liturgy of the Church and for its ceremonies. Observe them faithfully. Don’t you see that, for us poor humans, even what is greatest and most noble enters through the senses?

The Church sings, it has been said, because just speaking wouldn’t satisfy its desires for prayer. You, as a Christian—and a chosen Christian—should learn to sing the liturgical chant.

“Let’s burst into song!” said a soul in love, after seeing the wonders that our Lord was working through his ministry. And the same advice I give to you: Sing! Let your grateful enthusiasm for your God overflow into joyous song.




NOTES FROM THIS ARTICLE:

Editor’s Note • There is a rumor that St. Josemaría Escrivá offered the 1962 Missal exclusively. If this is true, it does not have an important bearing upon this beautiful article by Andrew Leung, since he focuses on the Opus Dei priests. The Opus Dei priests offer the Ordinary Form.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Josemaria Escriva Novus Ordo Liturgy Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
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    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
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Quick Thoughts

    “Reminder” — Month of Febr. (2026)
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    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
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    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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